Live from Whisky a Go Go

MASON CITY To get there you follow Highway 58, going northeast of the city, and it is a good highway and new. Or was new, that day we went up it. You look up the highway and it is straight for miles, coming at you, with the black line down the center coming at and at you, black and slick and tarry- shining against the white of the slab, and the heat dazzles up from the white slab so that only the black line is clear, coming at you with the whine of the tires, and if you don't quit staring at that line and don't take a few deep breaths and slap yourself hard on the back of the neck you'll hypnotize yourself and you'll come to just at the moment when the right font wheel hookers over into the black dirt shoulder off the slab, and you'll try to jerk her back on but you can't because the slab is high like a curb, and maybe you'll try to reach to turn off course. Then a nigger chopping cotton a mile away, he'll look up and see the little column of black smoke standing up above the vitriolic, arsenical green of the cotton rows, and up against the violent, metallic, throbbing blue of the sky, and he'll say, "Lawd God, hit's a-nudder one done done hit!" And the next nigger down the next row, he'll say, "Lawd God," and the first nigger will giggle, and the hoe will lift again and the blade will flash in the sun like a heliograph. Then a few days later the boys from the Highway Department will mark the spot with a little metal square on a metal rod stuck in the black dirt off the shoulder, the metal square painted white and on it in black a skull and crossbones. Later on love vine will climb up it, out of the weeds. But if you wake up in time and don't hook your wheel off the slab, you'll go whipping on into the dazzle and will pass you with a snatching sound as though God-Almighty had ripped a tin roof loose with his bare hands. Way off ahead you, at the horizon where the cotton fields are blurred into the light, the slab will glitter and gleam like water, as though the road were flooded. You'll go whipping toward it, but it will always be ahead of you, that bright, flooded place, like a mirage. You'll go past the little white metal squares set on metal rods, with the skull and crossbones on them to mark the spot. For this is the country where the age of internal combustion engine has come into its own. Where every boy is Barney Oldfield, and the girls wear organdy and batiste and eyelet embroidery and no panties on account of the climate and have smooth little faces to break your heart and when the wind of the car's speed lifts up their hair at the temples you see the sweet little beads of perspiration nestling there, and they sit low in the seat with their little spines crooked and their bent knees high toward the dashboard and not too close together for the cool, if you could call it that, from the hood ventilator. Where the smell of gasoline and the burning brake bands and red-eye is sweeter than myrrh. Where the eight-cylinder jobs come roaring round the curves in the red hills and scatter the gravel like spray, and when they ever get down in the flat country and hit the new slab, God have mercy on the mariner. On up Number 58, and the country breaks. The flat country and the big cotton fields are gone now, and the grove of live oats way off yonder where the big house is, and the whitewashed shacks, all just alike, set in a row by the cotton fields with the cotton growing up to the doorstep, where the pickaninny sits like a black Billiken and sucks its thumb and watches you go by. That's all left behind now. It is red hill now, not high, with blackberry bushes along the fence rows, and blackjack clumps in the bottoms and now and then a place where the second-growth pines stand close together if they haven't burned over for sheep grass, and if they have burned over, there are black stubs. The cotton patches cling to the hillsides, and the gullies cut across the cotton patches. The corn blades hang stiff and are streaked with yellow. There were pine forests here a long time ago but they are gone. The bastards got in here and set up the mills and laid the narrow-gauge tracks and knocked together the company commissaries and paid a dollar a day and folks swarmed out of the bush for the dollar and folks came from God knows where, riding in wagons with a chest of drawers and a bedstead canted together and the old woman hunched on the wagon seat with a poke bonnet on her head and snuff on her gums and a young one hanging on her tit. The saws sang soprano and the clerk in the commissary passed out the black-strap molasses and the sow-belly and wrote in his big book, and the Yankee dollar and the Confederate dumbness collaborated to heal the wounds of four years of fratricidal strife, and all was merry as a marriage bell. Till, all of a sudden, there weren't any more pine trees. They stripped the mills. The narrow-gauge tracks got covered with grass. Folks tore down the commissaries for kindling wood. There wasn't any more dollar a day. The big boys were gone, with diamond rings on their fingers and broadcloth on their backs. But a good many of the folks stayed right on, and watched the gullies eat deeper into the red clay. And a handful of these folks and their heirs and assigns stayed in Mason City, four thousand of them, more or less. You come in on Number 58, and pass the cotton gin and the power station and the fringe of nigger shacks and bump across the railroad track and down a street where there are a lot of little houses painted white one time, with the sad valentine lace of gingerbread work around the eaves of the veranda and tin roofs, and where the leaves on the trees in the yards hand straight down in the heat, and above the mannerly whisper of your eighty-horse-power valve-in-head (or whatever it is) drifting at forty, you hear the July flies grinding away in the verdure. That was the way it was last time I saw Mason City, nearly three years ago, back in the summer of 1936. I was in the first car, the Cadillac, with the Boss and Mr. Duffy and the Boss's wife and son and Sugar-Boy. In the second car, which lacked our quiet elegance reminiscent of a cross between a hearse and an ocean liner but which still wouldn't make your cheeks burn with shame in the country-club parking lot, there were some reporters and a photograph and Sadie Burke, the Boss's secretary, to see they got there sober enough to do what they were supposed to do. Sugar-Boy was driving the Cadillac, and it was a pleasure to watch him. Or it would have been if you could detach your imagination from the picture of what near a couple of tons of expensive mechanism looks like after it's turned turtle three times at eighty and could give you undivided attention to the exhibition of muscular co-ordination, satanic humor, and split-second timing which was Sugar-Boy's when he whipped around a hat wagon in the face of an oncoming gasoline truck and went through the rapidly diminishing aperture close enough to give the truck driver heart failure with one rear fender and wipe the snot off a mule's nose with the other. But the Boss loved it. He always sat up front with Sugar-Boy and looked at the speedometer and down the road and grinned to Sugar-Boy after they got through between the mule's nose and the gasoline truck. And Sugar-Boy's head would twitch, the way it always did when the words were piling up inside of him and couldn't get out, and then he start. "The b-b-b-b-b–" he would manage to get out and the saliva would spray from his lips like Flit from a Flit gun. "The b-b-b-b-bas-tud–he seen me c-c-c–" and here he'd spray the inside of the windshield–"c-c-coming." Sugar-Boy couldn't talk, but he could express himself when he got his foot on the accelerator. He wouldn't win any debating contests in high school, but then would ever want to debate with Sugar-Boy. Not anybody who knew him and had seen him do tricks with the.38 Special which rode under his left armpit like a tumor. No doubt you thought Sugar-Boy was a Negro, from his name. But he wasn't. He was Irish, from the wrong side of the tracks. He was about five-feet-two, and he was getting bald, though he wasn't more than twenty-seven or -eight years old, and he wore red ties and under the red tie and his shirt he wore a little Papist medal on a chain, and I always hoped to God it was St. Christopher and that St. Christopher was on the job. His name was O'Sheean, but they called him Sugar-Boy because he ate sugar. Every time he went to a restaurant he took all the cube sugar there was in the bowl. He went around with his pockets stuffed with sugar cubes, and when he took one out to pop into his mouth you saw little pieces of gray lint sticking to it, the kind of lint there always is loose in your pocket, and shreds of tobacco from cigarettes. He's pop the cube in over the barricade of his twisted black little teeth, and then you'd see the thin little mystic Irish cheeks cave in as he sucked the sugar, so that he looked like an undernourished leprechaun. The Boss was sitting in the front seat with Sugar-Boy and watching the speedometer, with his kid Tom up there with him. Tom was then about eighteen or nineteen–I forgot which–but you would have thought he was older. He wasn't so big, but he was built like a man and his head sat on his shoulders like a man's head without the gangly, craning look a kid's head has. He had been a high-school football and the fall before he had been the flashiest thing on the freshman team at State. He got his name in the papers because he was really good. He knew he was good. He knew he was the nuts, as you could tell from one look at his slick-skinned handsome brown face, with the jawbone working insolently and slow over a little piece of chewing gum and his blue eyes under half-lowered lids working insolently and slow over you, or the whole damned world. But that day when he was up in the front seat with Willie Stark, who was the Boss, I couldn't see his face. I remembered thinking his head, the shape and the way it was set on his shoulders, was just like his old man's head. Mrs. Stark–Lucy Stark, the wife of the Boss–Tiny Duffy, and I were in the back seat–Lucy Stark between Tiny and me. It wasn't exactly a gay little gathering. The temperature didn't make for chit- chat in the first place. In the second place, I was watching out for the hay wagons and gasoline trucks. In the third place, Duffy and Lucy Stark never were exactly chummy. So she sat between Duffy and me and gave herself to her thoughts. I reckon she had plenty to think about. For one thing, she could think about all that had happened since she was a girl teaching her first year in the school at Manson City and had married a red-faced and red-necked farm boy with big slow hands and a shock of dark brown hair coming down over his brow (you can look at the wedding picture which has been in the papers along with a thousand other pictures of Willie) and a look of dog-like devotion and wonder in his eyes when they fixed on her. She would have had a lot to think about as she sat in the hurtling Cadillac, for there had been a lot of changes. We tooled down the street where the little one-time-white houses were, and hit the square. It was Saturday afternoon and the square was full of folks. The wagons and the crates were parked solid around the patch of grass roots in the middle of which stood the courthouse, a red-brick box, well weathered and needing [paint, for it had been there since before the Civil War, with a little tower with a clock face on each side. On the second look you discovered that the clock faces weren't real. They were just painted on, and they all said five o'clock and not eight-seventeen the way those big painted watches in front of third-string jewelry stores used to. We eased into the ruck of folks come in to do their trading, and Sugar-Boy leaned on his horn, and his head twitched, and he said, "B-b-b-b-b-as-tuds," and the spit flew. We pulled up in front of the drugstore, and the kid tom got out and the Boss, before Sugar-Boy could get around to the door. I got out and helped out Lucy Stark, who came up from the depths of heat and meditation long enough to say, "Tank you." She stood there on the pavement a second touching her skirt into place around her hips, which had a little more beam on them than no doubt had been the case when she won the heart of Willie Stark, the farm boy. Mr. Duffy debouched massively from the Cadillac, and we all entered the drugstore, the Boss holding the door open so Lucy Stark could go in and then following her, and the rest of us trailing in. There were a good many folks in the store, men in overalls lined up along the soda fountain, and women hanging around the counters where the junk and glory was, and kids hanging on skirts with one hand and clutching ice-cream cones with the other and staring out over their own wet noses at the world of men from eyes which resembled painted china marbles. The Boss just stood modestly back of the gang of customers at the soda fountain, with his hat in his hand and the damp hair hanging down over his forehead. He stood that way a minute maybe, and then one of the girls ladling up ice cream happened to see him, and got a look on her face as though her garter belt had busted in church, and dropped her ice cream scoop, and headed for the back of the store with her hips pumping hell-for-leather under the lettuce-green smock. Then a second later a little bald-headed fellow wearing a white coat which ought to have been in the week's wash came plunging through the crowd from the back of the store, waving his hand and bumping the customers and yelling, "It's Willie!" The fellow ran up to the Boss, and the Boss took a couple of steps to meet him, and the fellow with the white coat grabbed Willie's hand as though he were drowning. He didn't shake Willie's hand, not by ordinary standards. He just hung into it and twitched all over and gargled the sacred syllables of _Willie__. Then, when the attack had passed, he turned to the crowd, which was ringing around at a polite distance and staring, and announced, "My God, folks, it's Willie!" The remark was superfluous. One look at the faces rallied around and you knew that if any citizen over the age of three didn't know that the strong-set man standing there in the Palm Beach suit was Willie Stark, that citizen was a half-wit. In the first place, all he would have to do would be to lift his eyes to the big picture high up there above the soda fountain, a picture about six times life size, which showed the same face, the big eyes, which in the picture had the suggestion of a sleepy and inward look (the eyes of the man in the Palm Beach suit didn't have that look now, but I've seen it), the pouches under the eyes and the jowls beginning to sag off, and the meaty lips, which didn't sag but if you looked very close were laid one on top of the other like a couple of bricks, and the tousle of hair hanging down on the not very high squarish forehead. Under the picture was the legend: _Mt study is the heart of the people.__ In quotation marks, and signed, _Willie Stark__. I had seen that picture in a thousand places, pool halls to palaces. Somebody back in the crowd yelled, "Hi, Willie!" The Boss lifted his right hand and waved in  acknowledgment to the unknown admirer. Then the Boss spied a fellow at the far end of the soda fountain, a tall, gaunt-shanked, malarial, leather-faced side of jerked venison, wearing jean pants and a brace of mustaches hanging off the kind of face see in photographs of General Forrest's cavalrymen, and the Boss started toward him and put out his hand. Old Leather-Face didn't show. Maybe he shuffled one of his broken brogans on the tiles, and his Adam's apple jerked one or twice, and the eyes were watchful out of that face which resembled the seat of an old saddle left out in the weather, but when the Boss got close, his hand came up from the elbow, as though it didn't belong to Old Leather-Face but was operating on its own, and the Boss took it. "How you making it, Malaciah?" the Boss asked. The Adam's apple worked a couple of times, and the Boss shook the hand which was hanging out there in the air as if it didn't belong to anybody, and Old leather-Face said, "We's grabblen." "How's your boy?" the Boss asked. "Ain't doen so good," Old Leather-Face allowed. "Sick?" "Naw," Old Leather-Face allowed, "jail." "My God," the Boss said, "what they doing round here, putting good boys in jail?" "He's a good boy," Old Leather-Face allowed. "Hit wuz a fahr fight, but he had a leetle bad luck." "Huh?" "Hit wuz fahr and squahr, but he had a leetle bad luck. he stobbed the feller and he died." "Tough tiddy," the Boss said. Then: "Tried yet?" "Not yit." "Tough tiddy," the Boss said. "I ain't complainen," Old Leather-Face said. "Hit wuz fit fahr and squahr." "Glad to seen you," the Boss said. "Tell your boy to keep his tail over the dashboard." "He ain't complainen," Old Leather-Face said. The Boss started to turn away to the rest of us who after a hundred miles in the dazzle were looking at that soda fountain as though it were a mirage, but Old Leather-Face said, "Willie." "Huh?" the Boss answered. "Yore pitcher," Old Leather-Face allowed, and jerked his head creakily toward the six-times- life-size photograph over the soda fountain.. "Yore pitcher," he said, "hit don't do you no credit, Willie." "Hell, no," the Boss said, studying the picture, cocking his head to one side and squinting at it, "but I was porely when they took it. It was like I'd had the cholera morbus. Get in there busting some sense into that Legislature, and it leaves a man worse'n the summer complaint." "Git in thar and bust 'em, Willie!" somebody yelled from back in the crowd, which was thickening out now, for folks were trying to get in from the street "I'll bust 'em," Willie said, and turned around to the little man with the white coat. "Give us some cokes, Doc," he said, "for God's sake." It looked as if Doc would have heart failure getting around to the other side of the sofa fountain. The tail of that white coat was flat on the air behind him when he switched the corner and started clawing past the couple of girls in the lettuce-green smocks so he could do the drawing. He got the first one set up, and passed it to the Boss, who handed it to his wife. The he started drawing the next one, and kept on saying, "It's on the house, Willie, it's on the house." The Boss took that one himself, and Doc kept on drawing them and saying, "It's on the house, Willie it's on the house." He kept on drawing them till he got about five too many. By that time folks were packed outside the door solid to the middle of the street. Faces were pressed up against the screen door, the way you do when you try to see through a screen into a dim room. Outside, they kept yelling, "Speech, Willie, Speech!" "My God," the Boss said, in the direction of Doc, who was hanging on to one of the nickel- plated spouts of the fountain and watching every drop of the coke go down the Boss's gullet. "My God," the Boss said, "I didn't come here to make a speech. I came here to go out and see my pappy." "Speech, Willie, speech!" they were yelling out there. The Boss set his little glass on the marble. "It's on the house," Doc uttered croakingly with what strength was left in him after the rapture. "Thanks, Doc," the Boss said. He turned away to head toward the door, then looked back. "You better get back in here and sell a lot of aspirin, Doc," he said, "to make up for the charity." Then he plowed out the door, and the crowd fell back, and we tailed after him. Mr. Duffy stepped up beside the Boss and asked him was he going to make a speech, but the Boss didn't even look at him. He kept walking slow and steady right on across the street into the crowd, as though the crowd hadn't been there. The red, long faces with the eyes in them watching like something wary and wild and watchful in a thicket fell back, and there wasn't a sound. The crowd creamed back from his passage, and we followed in his wake, all of us who had been in the Cadillac, and the others who had been in the second car. The crowd closed behind. The Boss kept walking straight ahead, his head bowed a little, the way a man bows his head when he is out walking by himself and has something on his mind. His hair fell down over his forehead, for he was carrying his hat in his hand. I knew his hair was down over his forehead, for I saw him give his head a quick jerk once or twice, the way he always did when he was walking alone and it fell down toward his eyes, the kind of motion a horse gives just after the bit is in and he's full of beans. He walked straight across the street and across the patch of grass roots and up the steps of the courthouse. Nobody else followed him up the steps. At the top he turned around, slow, to face the crowd. He simply looked at them, blinking his big eyes a little, jus as though he had just stepped out of the open doors and the dark hall of the courthouse behind him and was blinking to get his eyes adjusted to the light. He stood up there blinking, the hair down on his forehead, and the dark sweat patch showing under each arm of his Palm Beach coat. The he gave his head a twitch, and his eyes bulged wide suddenly, even if the light was hitting him full in the face, and you could see the glitter in them. _It's coming__, I thought. You saw the eyes bulge suddenly like that, as tough something had happened inside him, and there was the glitter. You knew something had happened inside him, and thought: _It's coming__. It was always that way. There was the bulge and the glitter, and there was the cold grip way down in the stomach as though somebody had laid hold of something in there, in the dark which is you, with a cold hand in a cold rubber glove. It was like the second when you come home late at night and see the yellow envelope of the telegram sticking out from under your door and you lean and pick it up, but don't open it yet, not for a second. While you stand there in the hall, with the envelope in your hand, you feel there's an eye on you, a great big eye looking straight at you from miles and dark and through walls and houses and through your coat and vest and hide and sees you huddled up way inside, in the dark which is you, inside yourself, like a clammy, sad little fetus you carry around inside yourself. The eye knows what's in the envelope, and it is watching you to see you when you open it and know, too. But the clammy, sad little fetus which is you way down in the dark which is you too lifts up its sad little face and its eyes are blind, and it shivers cold inside you for it doesn't want to know what is in that envelope. It wants to lie in the dark and not know, and be warm in its not-knowing. The end of man is knowledge, but there is one thing he can't know. He can't know whether knowledge will save him or kill him. He will be killed, all right, but he can't know whether he is killed because of the knowledge which he has got or because the knowledge which he hasn't got and which if he had it, would save him. There's the cold in your stomach, but you open the envelope, for the end of man is to know. The Boss stood up there quiet, with the bulge and glitter in the eyes, and there wasn't sound in the crowd. You could hear one insane and irrelevant July fly sawing away up in one of the catalpa trees in the square. Then that sound stopped, and there wasn't anything but the waiting. Then the Boss lounged a step forward, easy and soft-footed. "I'm not going to make any speech," the Boss said, and grinned. But the eyes were still big and the glitter was in them. "I didn't come here to make any speech. I came up here to go out and see my pappy, and see if he's got anything left in the smokehouse fit to eat. I'm gonna say: Pappy, now what about all that smoked sausage you wuz bragging about, what about all that ham you wuz bragging about all last winter, what about–" That's what he was saying, but the voice was different, going up in his nose and coming flat with that little break they've got in the red hills, saying, "Pappy, now what about–" But the glitter was still there, and I thought: _Maybe it's coming__. Maybe it was not too late. You never could tell. Suddenly, it might be there, he might say it. But he was saying, "–and so I', not going to make any speech–" In his old voice, his own voice. Or was that his voice? Which was his true voice, which one of all the voices, you would wonder. He was saying, "And I didn't come here to ask you to give me anything, not even a vote. The Good Book says, 'There are three things that are never satisfied, yea, four things say not, it is enough–' " and the voice was different now– " 'the grave, and the barren womb, the earth that is not filled with water, and the fire that saith not, it is enough.' But Solomon might have added just one little item. He might have just made his little list complete, and added, the politician who never stops saying, Gimme." He was lounging back on himself now, and his head was cocked a little to one side, and his eyes blinked. The he grinned, and said, "If they had politicians back in those days, they said, Gimme, just like all of us politician do. Gimme, gimme, my name's Jimmie. But I'm not a politician today. I'm taking the day off. I'm not even going to ask you to vote for me. To tell the God's unvarnished and unbuckled truth, I don't have to ask you. Not today. I still got quite a little hitch up there in the big house with the white columns two stories high on the front porch and peach ice cream for breakfast. Not that a passel of those statesmen wouldn't like to throw me out. You know–" and he leaned forward a little now, as if to tell them a secret–"it's funny how I just can't make friend with some folks. No matter how hard I try. I been just as polite. I said, Please. But _please__ didn't do any good. But it looks like they got to put up with me a spell longer. And you have. Before you get shet of me. So you better just grin and bear it. It's not any worse'n boils. Now, is it? He stopped, and looked all around, right down at them, moving his head slow, so that he seemed to look right in a face here and stop for just a split second, and then to move on to another one a little further. Then he grinned, and his eyes blinked, and he said, "Huh? What's the matter? Can got yore tongue?" "Boils on the tail!" somebody yelled back in the crowd. "Dammit," Willie yelled back, "lie on yore stummick and go to sleep!" Somebody laughed. "And," yelled Willie, "thank the good Lord who in his everlasting mercy saw fit to make something with a back side and a front side to it out of the skimpy little piece of material provided in your case!" "You tell em, Willie!" somebody yelled back in the crowd. Then they started to laugh. The Boss lifted up his right hand about as high as his head, out in front of him, palm down, and waited till they stopped laughing and whistling. Then he said: "No, I'm not here to ask you for anything. A vote or anything else. I reckon I'll be back later for that. If I keep on relishing that peach ice cream for breakfast in the big house. But I don't expect all of you to vote for me. My God, if all of you went and voted for Willie, what the hell would you find to argue about? There wouldn't be anything left but the weather, and you can't vote on that. "No," he said, and it was another voice, quiet and easy and coming slow and from a distance, "I'm not here to ask for anything today. I'm taking the day off, and I've come home. A man goes away from his home and it is in him to do it. He lies in strange beds in the dark, and the wind is different in the trees. He walks in the street and there are the faces in front of his eyes, but there are no names for the faces. The voices he hears are not the voices he carried away in his ears a long time back when he went away. The voices he hears are loud. They are so loud he does not hear for a long time at a stretch those voices he carried away in his ears. But there comes a minute when it is quiet and he can hear those voices he carried away in his ears a long time back. He can make out what they say, and they say: Come back. They say: Come back, boy. So he comes back." His voice just stopped. It didn't trail off like a voice coming to a stop. One second it was there, going on, word by word, in the stillness which filled the square and the crowd in front of the courthouse and was stiller for the grinding of the July flies in the two catalpas rising above the heads of the people who had crowded up on the patch of grass roots. The voice was going there, word by word, then suddenly it was not there. There was only the sound of the July flies, which seems to be inside your head as though it were the grind and whir of the springs and cogs which are you and which will not stop no matter what you say until they are good and ready. He stood there a half minute, not saying a word, and not moving. He didn't even seem to be noticing the crowd down there. Then he seemed, all at once, to discover them, and grinned. "So he comes back," he said, grinning now. "When he gets half a day off. And he says, Hello, folks, how you making it? And that's what I'm saying." That's what he said. He looked down, grinning, and his head turned as his eyes went down in the crowd, and seemed to stop a face there, and then go on to stop on another face. Then he started walking down the steps, as if he had just come out of that dusky-dark hallway beyond the big open doors behind him and was walking down the steps by himself, with nobody there in front of him and no eyes on him. He came straight down the steps toward where his gang was standing, Lucy Stark and the rest of us, and nodded at us as though he were simply passing us on the street and didn't know us any too well anyway, and kept right on walking, straight into the crowd as though the crowd weren't there. The people fell back a little to make a passage for him, with their eyes looking right at him, and the rest of us in his gang followed behind him, and the crowd closed up behind us. People were clapping now, and yelling. Somebody kept yelling, "Hi, Willie!" The Boss walked straight across the street, through the crowd, and got into the Cadillac and sat down. We got in with him and the photographer and the others went back to their car. Sugar-Boy started up and nosed out into the street. People didn't get out of the way very fast. They couldn't, they were so jammed in. When we nosed out into the crowd, the faces were right there outside the car, not more that a foot or so away. The faces looked right in at us. But they were out there and we were inside now. The eyes in the red, slick-skinned long faces, or the brown, crinkled faces, looked in at us. Sugar-Boy kept pecking at his horn. The words were piling up inside him. His lips started to work. I could see his face in the driver's mirror, and the lips were working. "The b-b-b-b-as-tuds," he said, and the spit flew. The Boss Had sunk in on himself now. "The b-b-b-b-as-tuds," Sugar-Boy said, and pecked at his horn, but we were easing out of the square now to a side street where there weren't any people. We were doing forty by the time we passed the brick schoolhouse on the outskirts of town. Seeing the schoolhouse made me remember how I first met Willie, about fourteen years before, back in 1922, when he wasn't anything but the County Treasurer of Mason County and had come down to the city to see about the bound issue to build that schoolhouse. Then I remembered how I had met him, in the back room of Slade's pool hall, where Slade sold the needle beer, and we were sitting at one of those little marble-topped tables with wirework legs, the kind they used to have in drugstores when you were a boy and took your high-school sweeties down on Saturday night to get that chocolate banana split and rub knees under the table and the wirework would always get in the way. There were four of us. There was Tiny Duffy, who was almost as big back then as he was to get to be. He didn't need any sign to let you know what he was. If the wind was right, you knew he was a city-hall slob long before you could see the whites of his eyes. He had the belly and he sweated through his shirt just above the belt buckle, and he had the face, which was creamed and curded like a cow patty in a spring pasture, only it was the color of biscuit dough, and in the middle was his grin with the gold teeth. He was Tax assessor, and he wore a flat hard straw on the back of his head. There was a striped band on the hat. Then there was Alex Michel, who was a country boy from up in Mason County but who was learning fast. He had learned fast enough to get to be a deputy sheriff. But he wasn't that long. He wasn't anything, for he got in the gut by a coke-frisky piano player in a cribhouse where he had gone to take out a little in trade on his protection account. Alex was, as I have said, from up in Mason County. Duffy and I had been in the back room of Slade's place waiting for Alex, with whom I had the hope of transacting a little business. I was a newspaperman and Alex knew something I wanted to know. Duffy had called him in, for Duffy was a friend of mine. At least, he knew that I worked for the _Chronicle__, which at that time was supporting the Joe Harrison outfit. Joe Harrison was Governor then. And Duffy was one of Joe Harrison' boys. So I was sitting in the back room of Slade's place, one hot morning in June or July, back in 1922, waiting for Alex Michel to turn up and listening to the silence in the back room of Slade's place. A funeral parlor at midnight is ear-splitting compared to the effect you get in the middle of the morning in the back room of a place like Slade's if you are the first man there. You sit there and think how cozy it was last night, with the effluvium of brotherly bodies and the haw-haw of camaraderie, and you look at the floor where now there are little parallel trails of damp sawdust the old broom left this morning when the unenthusiastic old Negro man cleaned up, and the general impression is that you are alone with the Alone and it is his move. So I sat there in silence (Duffy was never talkative in the morning before he had worried down two or three drinks), and listened to my tissues break down and the beads of perspiration explode delicately out of the ducts embedded in the ample flesh of my companion. Alex came in with a fellow with him, and I knew my little conversation was not promising. My mission was of some delicacy, not fit for the ear of a stranger. I figured that might be the reason Alex had his friend in tow. Maybe it was, foe Alex was cagey in an amateurish sort of way. In any case, he had the Boss with him. Only it was not the Boss. Not to the crude eye of the _homme sensuel__. Metaphysically it was the Boss, but how was I to know? Fate come walking through the door, and it is five feet eleven inches tall and heavyish in the chest and shortish in the leg and is wearing a seven-fifty seersucker suit which is too long in the pants so the cuffs crumple down over the high black shoes, which could do with a polishing, and a stiff high collar like a Sunday-school superintendent and a blue- stripe tie which you know his wife gave him last Christmas and which he has kept in tissue paper with the holly card ("Merry Xmas to my Darling Willie from your Loving Wife") until he got ready to go up the city, and a gray felt hat with the sweat stains showing through the band. It comes in just like that, and how are you to know? It comes in, trailing behind Alex Michel, who is, or was before the piano player got him, six-feet-two of beautifully articulated bone and gristle with a hard, bony, baked-looking face and two little quick brown eyes which don't belong above that classic torso and in that face and which keep fidgeting around like a brace of Mexican jumping beans. So Fate trails modestly along behind Alex Michel, who approaches the table with an air of command which would deceive no one. Alex shook my hand and said, "Hi, pal," and slapped me on the shoulder with a palm that was tough enough to crack a black walnut, and paid proper obeisance to Mr. Duffy, who extended a hand without rising; and then, as a sort of afterthought, Alex jerked a thumb toward his trailing companion and said, "This is Willie Stark, gents. From up home at Mason City. Me and Willie was in school together. Yeah, and Willie, and he was a bookworm, he was teacher's pet. Wuzn't you, Willie?" And Alex whickered like a stallion in full appreciation of his own delicious humor and nudged the teacher's pet in the ribs. Then, controlling himself, he added, "And he's still teacher's pet, ain't you, Willie, ain't you?" And he turned to Duffy and me, and explained, before mirth again took him and Slade's back room again resounded with the cheerful note of the breeding paddock, "Willie–Willie–he married a school-teacher!" That idea seemed monstrously funny to Alex. Meanwhile, Willie, unable to complete the amenities of the situation, bowed to the blast and stood there with the old gray felt hat in his hand, with the sweat showing around the band outside where it had soaked through. Willie's large face, above the stiff country collar, didn't show a thing. "Yeah–yeah–he married a school-teacher!" Alex reaffirmed with undiminished relish. "Well," said Mr. Duffy, whose experience and tact were equal to any situation, "they tells me school-teachers are made with it in the same place." Mr. Duffy lifted his lips to expose the gold, but made no sound, for, Mr. Duffy being a man of the world and serene in confidence, his style was to put forth his sally and let it make its way on its intrinsic worth and to leave the applause to the public. Alex provided the applause in good measure. I contributed only a grin which felt sickly on my face, and Willie was blank. "Gawd!" Alex managed, when breath had returned to him, "Gawd, Mr. Duffy, you are a card! You shore-Gawd are." And again he vigorously nudged the teacher's pet in the ribs to spur his laggard humor. When he got no result, he nudged again, and demanded flatly of his ward: "Now ain't Mr. Duffy a card?" "Yes, Willie replied, looking at Mr. Duffy innocently, judicially, dispassionately. "Yes," he said, "Mr. Duffy is a card." And as the admission was made, albeit belatedly and with some ambiguity of inflection, the slight cloud which had gathered upon Mr. Duffy's brow was dissipated with no trace of rancor left behind. Willie took advantage of the momentary lull to wind up the ritual of introduction which Alex's high spirits had interrupted. He transferred his old gray hat to his left hand and took the two steps necessary to bring him to the table, and gravely extended his hand to me. So much water has flowed beneath the bridges since Alex has jerked his thumb toward the stranger from the country and said. "This is Willie Stark," that I had almost forgotten I hadn't known Willie all my life. So I didn't catch on right away that he was out to shake hands. I must have looked at his outstretched hand inquiringly and then given him a blank look, and he just showed me his dead pan–it was just another pan, at first glance anyway–and kept on holding his hand out. Then I came to, and not to be undone in courtesy of the old school, I hitched my chair back from the table and almost stood all the way up, and groped for his hand. It was a pretty good-sized hand. When you first took it you figured it was on the soft side, and the palm a little too moist–which is something, however, you don't hold against a man in certain latitudes–then you discovered it has a solid substructure. It was like the hand of a farm boy who has not too recently given up the plow for a job in the crossroad store. Willie's hand gave mine three decorous pump-handle motions, and he said, "Glad to meetcha, Mr. Burden," like something he had memorized, and then, I could have sworn, he gave me a wink. Then looking into that dead pan, I wasn't sure. About twelve years later, at a time when the problem of Willie's personality more imperiously occupied my rare hours of speculation, I asked him, "Boss, do you remember the time we first got acquainted in the back room of Slade's joint?" He said he did, which wasn't remarkable, for he was like the circus elephant, he never forgot anything, the fellow who gave him the peanut or the fellow who put snuff in his trunk. "You remember when we shook hands?" I asked him. "Yeah," he said "Well, Boss," I demanded, "did you or didn't you wink at me?" "Boy–" he said and toyed with his glass of scotch and soda and dug the heel of one of his unpolished, thirty-dollar, chastely designed bench-made shoes into the best bed-spread the St. Regis Hotel could afford. "Boy," he said, and smiled at me paternally over his glass, "that is a mystery." "Don't you remember?" I said. "Sure," he said, "I remember." "Well," I demanded "Suppose I just had something in my eye?" he said. "Well, damn it, you just had something in your eye ten." "Suppose I didn't have anything in my eye?" "Then maybe you winked because you figured you and me had some views in common about the tone of the gathering." "Maybe," he said. "It ain't any secret that my old schoolmate Alex was a heel. And it ain't any secret that Tiny Duffy is as sebaceous a fat-ass as ever made the spring groan in a swivel chair." "He is an s. o. b.," I affirmed. "He is," the Boss agreed cheerfully, "but he is a useful citizen. If you know what to do with him." "Yeah," I said, "and I suppose you think you know what to do with him. You made him Lieutenant Governor." (For that was in the Boss's last term when Tiny was his understudy.) "Sure," the Boss nodded, "somebody's got to be Lieutenant Governor." "Yeah," I said, "Tiny Duffy." "Sure," he said, "Tiny Duffy. The beauty about Tiny is that nobody can trust him and you know it. You get somebody somebody can trust maybe, and you got to sit up nights worrying whether you are the somebody. You get Tiny, and you can get a night's sleep. All you got to do is keep the albumen scared out of his urine." "Boss, did you wink at me that time back at Slade's?" "Boy," he said, "if I was to tell you, then you wouldn't have anything to think about." So I never did know. But I did see Willie shake hands that morning with Tiny Duffy and fail to wink at him. He just stood there in front of Mr. Duffy, and when the great man, not rising, finally extended his hand with the reserved air of the Pope offering his toe to the kiss of a Campbellite, Willie took it and gave it the three pumps which seemed to be regulation up in Mason City. Alex sat down at the table, and Willie just stood there, as though waiting to be invited, till Alex kicked the fourth chair over a few inches with his foot and said, "Git off yore dogs, Willie." Willie sat down and laid his gray felt hat on the marble top in front of him. The edges of the brim crinkled and waved up all around off the marble like a piecrust before grandma trims it. Willie just sat there behind his hat and his blue-striped Christmas tie and waited, with his hands laid in his lap. Slade came in from the front, and said, "Beer?" "All round," Mr. Duffy ordered. "Not for me, thank you kindly," Willie said. M Duffy, with some surprise and no trace of pleasure, turned his gaze upon Willie, who seemed unaware of the significance of the event, sitting upright in his little chair behind the hat and the tie. Then Mr. Duffy looked up at Slade, and jerking his head toward Willie, said, "Aw, give him some beer." "No, thanks," Willie said, with no more emotion that you would put into the multiplication table. "Too strong for you?" Mr. Duffy demanded. "No," Willie replied, "but no thank you." "Maybe the school-teacher don't let him drink nuthen," Alex offered. "Lucy don't favor drinking," Willie said quietly. "For a fact." "What she don't know don't hurt her," Mr. Duffy said. "Git him some beer," Alex said to Slade. "All round," Mr. Duffy repeated, with the air of closing an issue. Slade looked at Alex and he looked at Mr. Duffy and he looked at Willie. He flicked his towel halfheartedly in the direction of a cruising fly, and said: "I sells beer to them as wants it. I ain't making nobody drink it." Perhaps that was the moment when Slade made his fortune. How life is strange and changeful, and the crystal is in the steel at the point of fracture, and the toad bears a jewel in its forehead, and the meanings of moments passes like the breeze that scarcely ruffles the leaf of the willow. Well, anyway, when Repeal came and mailmen had to use Mack trucks to haul the application for licenses over to the City Hall, Slade got a license. He got a license immediately, and he got a swell location, and he got the jack to put in leather chairs kind to the femurs, and a circular bar; and Slade, who never had a dime in his life after he paid rent and protection, now stands in the shadows under the murals of undressed dames in the midst of the glitter of chromium and tinted mirrors, wearing a double-breasted blue suit, with what's left of his hair plastered over his skull, and keeps one eye on the black boys in white jackets who tote the poison and the other on the blonde at the cash register who knows that her duties are not concluded when the lights are turned off at 2:00 A.M., and the strains of a three-piece string ensemble soothe the nerves of the customers. How did Slade get the license so quickly? How did he get the lease when half the big boys in the business were after that corner? How did he get the jack for the leather chairs and the string ensemble? Slade never confided in me, but I figure Slade got his reward for being an honest man. Anyway, Slade's statement of principle about the beer question closed the subject that morning. Tiny Duffy lifted a face to Slade with the expression worn by the steer when you give it the hammer; then, as sensation returned, he took refuge in his dignity. Alex permitted himself the last luxury of irony. Says Alex: "Well, maybe you got some orange pop for him." And when the whicker of his mirth had died away, Slade said: "I reckin I have. If he wants it" "Yes," Willie said, "I think I'll take some orange pop." The beer came, and the bottle of pop. The bottle of pop had two straws in it. Willie lifted his two hands out of his lap where they had decorously lain during the previous conversation, and took the bottle between them, and affixed his lips to the straws. His lips were a little bit meaty, but they weren't loose. Not exactly. Maybe at first glance you might think so. You might think he had a mouth like a boy, not quite shaped up, and that was the way he looked that minute, all right, leaning over the bottle and the straws stuck in his lips, which were just puckered up. But if you stuck around long enough, you'd see something a little different. You would see that they were hung together, all right, even if they were meaty. His face was a little bit meaty, too, but thin- skinned, and had freckles. Hs eyes were big, big and brown, and he'd look right at you, out of the middle of that thin-skinned and freckled and almost pudgy face (at first you would think it was pudgy, then you would change your mind), and the dark brown, thick hair was tousled and crinkled down over his forehead, which wasn't very high in the first place, and the hair was a little moist. There was little Willie. There was Cousin Willie from the country, from up at Mason City, with his Christmas tie, and maybe you would take him out to the park and show him the swans. Alex leaned toward Duffy, and said confidingly, "Willie–he's in poly-tics." Duffy's features exhibited the slightest twitch of interest, but the twitch was dissipated into the vast oleaginous blankness which was the face of Duffy in response. He did not even look at Willie. "Yeah," Alex continued, leaning closer and nodding sideways at Willie, "yeah, in poly-ticks. Up in Mason City." Mr. Duffy's head did a massive quarter-revolution in the direction of Willie and the pale-blue eyes focused upon him from the great distance. Not that the mention of Mason City was calculated to impress Mr. Duffy, but the fact that Willie could be in politics anywhere, even in Mason City, where, no doubt, the hogs scratched themselves against the underpinnings of the post office, raised certain problems which merit passing attention. So Mr. Duffy gave his attention to Willie, and solved the problem. He solved by deciding that there wasn't any problem. Willie was not in politics. Not in Mason City or anywhere else. Alex Michel was a liar and the truth was not in him. You could look at Willie and see that he never had been and never would be in politics. Willie could look at Willie and deduce the fact that Willie was not in politics. So he said, "Yeah," with heavy irony, and incredulity was obvious upon his face. Not that I much blame Duffy. Duffy was face to face with the margin of mystery where all our calculations collapse, where the stream of time dwindles into the sands of eternity, where the formula fails in the test tube, where chaos and old night hold sway and we hear the laughter in the ether dream. But he didn't know he was, and so he said, "Yeah." "Yeah," Alex echoed, without irony, and added, "Up in Mason City. Willie is County Treasurer. Ain't you, Willie?" "Yes," Willie said, "County Treasurer." "My God," Duffy breather, with the air of a man who discovers that he has built upon sands and dwelt among mock shows. "Yeah," Alex iterated, "and Willie id down here on business for Mason Country, ain't you, Willie?" Willie nodded. "About a bond issue they got up there," Alex continued. "They gonna build a schoolhouse and it's a bond issue." Duffy's lips worked, and you could catch the discreet glimmer of the gold in the bridgework, but no words came forth. The moment was too full for sound of foam. But it was true. Willie was the County Treasurer and he was, that day long ago, in the city on business about the bond issue for the schoolhouse. And the bond were issued and the schoolhouse built, and more than a dozen years later the big black Cadillac with the Boss whipped past the schoolhouse, and then Sugar-Boy really put his foot down on the gas and we headed out, still on the almost new slab of Number 58. We had done about a mile, and not a word spoken, when the Boss turned around from the front sea and looked at me and said, "Jack, make a note to find out something about Malaciah's boy and the killing." "What's his name?" I asked. "Hell, I don't know, but he's a good boy." "Malaciah's name, I mean," I said. "Malaciah Wynn," the Boss said. I had my notebook out now and wrote it down, and wrote down, _stabbing__. "Find out when the trial is set and get a lawyer down. A good one, and I mean a good one that'll know how to handle it and let him know he God-damn well better handle it, but don't get a guy that wants his name in lights." "Albert Evans," I said, "he ought to do." "Uses hair oil," the Boss said. "Uses hair oil and slicks it back till the top of his head looks like the black ball on a pool table. Get somebody looks like he didn't sing with a dance band. You losing your mind?" "All right," I said, and wrote in my notebook, _Abe Lincoln type__. I didn't have to remind myself about that. I just wrote because I had got in the habit. You can build up an awful lot of habits in six years, and you can fill an awful lot of little black books in that time and put them in a safety-deposit box when they get full because they aren't something to leave around and because they would be worth their weight in gold to some parties to get their hands on. Not that they ever got their hands on them. A man's got to carry something besides a corroded liver with him out of that dark backward and abysm of time, and it might as well be the little black books. The little black books lie up there in the safety-deposit box, and there are your works of days and hands all cozy in the dark in the little box and the world's great axis grinds. "You pick him," the Boss said, "but keep out of sight. Put one of your pals on him, and pick your pal." "I got you," I replied, for I got him. The Boss was just about to turn around and divide his attention between the highway and Sugar- Boy's speedometer, when Duffy cleared this throat and said, "Boss." "Yeah?" the Boss said. "You know who it was got cut?" "No," the Boss said, getting ready to turn around, "and I don't care if it was the sainted uncut maiden aunt of the Apostle Paul." Mr. Duffy cleared his throat, the way he always did in late years when he was congested with phlegm and an idea. "I happened to notice in the paper," he began. "I happened to notice back when it happened, and the feller got cut was the son of a doctor up in this neighborhood. I don't recall what his name was but he was a doctor. The paper said so. Now–" Mr. Duffy was going right on talking to the back of the Boss's head. The Boss hadn't paid any mind, it seemed. "Now, it would appear to me," Mr. Duffy said, and cleared his pipes again, "it would appear to me maybe that doctor might be pretty big around here. You know how a doctor is in the country. They think he is somebody. And maybe it got out how you was mixed up with trying to get the feller Wynn's boy off, and it wouldn't do you any good. You know, politics," he explained, "you know how politics is. Now it–" The Boss whipped his head around to look at Mr. Duffy so fast all of a sudden there wasn't anything but a blur. It was as though his big brown pop eyes were looking out the back of his head through the hair, everything blurred up together. That is slightly hyperbolic, but you get what I mean. The Boss was like that. He gave you the impression of being a slow and deliberate man to look at him, and he had a way of sitting loose as though he had sunk inside himself and was going down for the third time and his eyes would blink like an owl's in a cage. Then all of a sudden he would make a move. It might just be to reach out and grab a fly out of the air that was bothering him, that trick I saw an old broken-down pug do once who hung around a saloon. He would make bets he could catch a fly out of the air with his fingers, and he could. The Boss could do that. Or he would whip his head at you when you said something he hadn't seemed to be listening to. He whipped his head round now to Duffy and fixed his gaze on him for an instant before he said quite simply and expressively, "Jesus." Then he said, "Tiny, you don't know a God-damned thing. In the first place, I've known Malaciah Wynn all my life, and his boy is a good boy and I don't care who he cut. In the second place, it was a fair fight and he had bad luck and when it's like that by the time the trial comes up folks are always feeling for the feller who's being tried for murder when he just had bad luck because the fellow died. In the third place, if you had picked the wax out of your ears you'd heard me tell Jack to prime the lawyer through a pal and to get one didn't want his name in lights. As far as that lawyer knows or anybody else knows, he's been sent by the Pope. And all he wants to know anyway is whether the foliage he gets out of it has those little silk threads in it. Is all that clear or do you want me to draw a picture?" "I get you," Mr. Duffy said, and wet his lips. But the Boss wasn't listening now. He had turned back to the highway and the speedometer and had said to Sugar-Boy, "God's sake, you think we want to admire the landscape? We're late now." Then you felt Sugar-Boy take up that last extra stitch. But not for long. In about half a mile, we hit the turn-off. Sugar-Boy turned off on the gravel and we sprayed along with the rocks crunching and popping up against the underside of the fender like grease in a skillet. We left a tail of dust for the other car to ride into. Then we saw the house. It was set on a little rise, a biggish box of a house, two-story, rectangular, gray, and unpainted, with a tin roof, unpainted too and giving off blazes under the sun for it was new and the rust hadn't bitten down into it yet, and a big chimney at each end. We pulled up to the gate. The house was set up close to the road, with a good hog-wire fence around the not very big yard, and with some crepe myrtles in bloom the color of raspberry ice cream and looking cool in the heat in the corner of the yard and one live oak, nothing to brag on and dying on one side, in front of the house, and a couple of magnolias off to one side with rusty-looking tinny leaves. There wasn't much grass in the yard, and a half dozen hens wallowed and fluffed and cuck-cucked in the dust under the magnolia trees. A big white hairy dog like a collie or a shepherd was lying on the front porch, a little one-story front porch that looked stuck on the box of the house, like an afterthought. It looked like those farmhouses you ride by in the country in the middle of the afternoon, with the chickens under the trees and the dog asleep, and you know the only person in the house is the woman who has finished washing up the dishes and has swept the kitchen and has gone upstairs to lie down for half an hour and has pulled off her dress and kicked off her shoes and is lying there on her back on the bed in the shadowy room with her eyes closed and a strand of her hair still matted down on her forehead with the perspiration. She listens to the flies cruising around the room, then she listens to your motor getting big out on the road, then it shrinks off into the distance and she listens to the flies. That was the kind of house it was. One time I had wondered why the Boss never had the house painted after he got his front feet in the trough and a dollar wasn't the reason you got up in the morning any more. Then I figured the Boss knew best. Suppose he had painted it up, then the next fellow down the road would be saying to the next one, "Seen Old man Stark got his house painted? Yeah, putten on airs. Hit looks lak hit wuz good enuff fer him to live in all his life lak hit wuz, and his boy gits up thar in the cappy-tell, and hit ain't good enuff no more. Fust thing you know and Old Man Stark'll be going to be privy in the house and maken 'em cook cabbige out behind the barn." (As a matter of fact, Old Man Stark was going to the privy in the house, for the Boss had put in running water and a bathroom. Water pumped by a little automatic electric pump. But you can't see a commode from the road when you pass by. It doesn't hit you in the eye or run out and bite you in the leg. And what the voter doesn't know doesn't prey on his mind.) Anyway, if he had painted the house it wouldn't have made half as good picture as it was going to make that day with Willie and his Old Man on the front steps, with Lucy Starks and the boy and the old white dog. The old man was on the front steps now. By the time we got through the front gate, which had a couple of old plow points hung on a wire to pull it shut and clank to announce the visitor, and had started up the path, the old man had come out of the door. He stopped on the steps and waited, a not very tall old man, and thin, wearing blue jean pants and a blue shirt washed so much that it had a powdery pastel shade to it and a black bow tie, the kind that comes ready-tied on an elastic band. We got up close and could see his face, brown and tooled-looking, with the skin and flesh thin on the bone and hanging down from the bone to give that patient look old men's faces have, and his gray hair plastered down on his narrow, egg-thin old skull–the hair still wet as though he had given it a dab with the wet brush when he heard the car, just to be looking right at the last minute--and slow blue eyes in the middle of the brown folded skin. The blue of the eyes was pale and washed out like the blue of the shirt. He didn't have any whiskers or mustache, and you could see that he had shaved pretty recently, for there were two or three little nicks, with the little crusts of blood on them, where the razor had got tangled in the folds of the brown dry skin. He stood on the steps, and for any sign he gave we might as well have been back in the city. Then the Boss went up to him, and put out his hand, and said, "Hello, Pappy. How you making it?" "Gitten along," the old man said, and shook hands, or rather putting out his hand with that same motion from the elbow which Old Leather-Face had had in the drugstore back in Mason City, he let the Boss shake it. Lucy Stark went up to him, not saying anything, and kissed him on his left cheek. He didn't say anything either when she did it. He just reached his right arm a little around her shoulder, not quite a hug, just putting his arm there, and you could see his knobby, crooked, brown old hand, which looked too big for the wristbone, and the hand gave her shoulder two or three little tired, apologetic pats. Then the hand dropped away and hung at his side beside the blue jean pants leg, and Lucy Stark stepped back. The he said, not very loud, "Howdy, Lucy." "Howdy, Papa," she said, and the hand hanging beside the jean pants jerked as though it were getting ready to reach out and pat her again, but it didn't. I suppose it didn't have to, anyway. Not to tell Lucy Stark what Lucy Stark already knew, and had known without words ever since the days when she had married Willie Stark and had come out here and had sat by the fire at night with the old man, whose wife had been dead a long time then and who hadn't had a woman in the house for a long time. That they had something in common, Old Man Stark and Lucy Stark, who had loved and married Willie Stark, the Willie Stark who at that moment when she and the old man sat wordlessly before the fire was upstairs in his room with his face bent down over a law book, his face puzzled and earnest and the tousle of hair hanging, and who was not with them by the fire, but was up there in that room, but not even in that room, either, but in a room, a world, inside himself where something was swelling and growing painfully and dully and imperceptibly like a great potato in a dark, damp cellar. What they had in common was a word of wordless silence by the fire, a world which could absorb effortlessly and perfectly the movements of their day and their occupations, and of all the days they had lived, and of the days that were to come for them to move about in and do the thing which were the life for which they were made. So they sat there in their common knowledge, while the chunk on the hearth stewed and hissed and crumbled, and were together in the down beat and pause of the rhythm of their lives. That was what they had in common now, and nothing could take that away. But they had something else in common; they had in common the knowledge that they did not have what they had. The Boss was introducing Mr. Duffy, who was delighted to meet Mr. Stark, yes, sir, and introducing the gang who had just come up in the second car. Then the Boss jerked a thumb at me, and said to his father, "You recollect Jack Burden, don't you?" "I recollect," the old man said, and we shook hands. We all went into the parlor, and sat around on a few pieces of stuffed horsehair furniture, which had an acid, mummy smell in your parched-out nostrils, or on straight split-bottom chairs, which Old man Stark and the Boss had fetched in from the kitchen, and the motes of dust swam on the rays of light striking in under the shades of the western windows of the room through the one-time white but now yellowish lace curtains, which looped uncertainly from their rods like fish nets hung up to wait for mending. The gang of us sat around, and moved our thighs on the horsehair or on the split-bottom and stared down at the unpainted boards of the floor or at the design on the linoleum mat in the middle of the floor as though we were still bright-reds and tans and blues slick and varnished-looking–a kind of glib, impertinent geometrical island floating there in the midst of the cornerless shadows and the acid mummy smell and the slow swell of Time which had fed into this room, day by day since long back, as into a landlocked sea where the fish were dead and the taste was brackish on your tongue. You had the feeling that if the Boss and Mr. Duffy and Sadie Burke and the photographer and the reporters and you and the rest got cuddled up together on that linoleum mat it would lift off the floor by magic and scoop you all up together and make a lazy preliminary circuit of the room and whisk right out of the door or out the roof like the floating island of Gulliver or the carpet in the Arabian Nights and carry you off where you and it belonged and leave Old Man Stark sitting there as though nothing had happened, very clean and razor- nicked, with his gray hair plastered down damp, sitting there by the table where the big Bible and the lamp and the plush-bound album were under the blank, devouring gaze of the whiskered face in the big crayon portrait above the mantel shelf. Then the nigger woman brought in a pitcher of water on a tray, with three glasses, slipping her feet in old tennis shoes dryly along the board. Lucy Stark took one glass and Sadie Burke another, and the rest of us just passed around the third glass. Then the photographer took a secret look at his watch, and cleared his throat, and said, "Governor–" "Yeah?" the Boss answered. "I just reckoned–if you and Mrs. Stark is rested and all–" he made a sitting-down bow in the direction of Lucy Stark, a bow from the waist that was quite a feat and gave the impression he had had a couple too many for the heat and was passing out in the chair–"if you all–" The Boss stood up. "All right," he said, grinning. "I just reckon I get you." Then he looked at his wife questioningly. Lucy Stark stood up, too. "All set, Pappy," the Boss said to the old man, and the old man stood up, too. The Boss led the way out to the front porch. We all tailed him out like a procession. The photographer went to the second car and unpacked a tripod and the rest of his plunder and got it rigged up facing the steps. The Boss was standing on the steps, blinking and grinning, as though he were half asleep and knew what kind of a dream he was going to have.  "We'll just take you first, Governor," the photographer said, and the rest of us eased off the porch and out of range. The photographer hid his head under the black cloth, then he popped out again agog with an idea. "The dog," he said, "get the dog in there with you, Governor. You be petting the dog or something. Right there on the steps. It'll be swell. It will be the nuts. You be petting that dog, he's pawing up on you like he was glad to see you when you come home. See? It will be nuts." "Sure, the nuts," the Boss said. Then he turned toward the old white dog, which hadn't moved a muscle since the Cadillac pulled up at the gate and was lying over to one side of the porch like a worn-out fur rug. "Here, Buck," the Boss said, and snapped his fingers. But the dog didn't show a thing. "Here, Buck," the Boss called. Tom Stark prodded the dog with his toe for a little encouragement, but he might just as well have been prodding a bolster. "Buck is gitten on," Old Man Stark said. "He ain't right spry any more." Then the old man went to the steps and stooped down with a motion which made you expect to hear the sound of old rusty hinges on a barn door. "Hi, Buck, hi, Buck," the old man wheedled without optimism. He gave up, and lifted his gaze to the Boss. "If s hongry now," he said, and shook hid head. "If he was hongry we could guile him. But he ain't hongry. His teeth gone bad." The Boss looked at me, and I knew what I was paid to do. "Jack," the Boss said, "get the hairy bastard up here and make him look like he was glad to see me." I was supposed to do a lot of different things, and one of them was to lift up fifteen-year-old, hundred-and-thirty-five pound hairy white dogs on summer afternoons and paint an expression of unutterable bliss upon their faithful features as they gaze deep, deep into the Boss's eyes. I got hold of Buck's forelegs, as though I were girding myself to shove a wheelbarrow, and heaved. It didn't work. I got his front end up for a second, but just as I got him up, he breathed out and I breathed in. One gust of Buck was enough. It was like a gust from a buzzard's nest. I was paralyzed. Buck hit the porch boards and lay there like the old polar-bear rug he resembled. Then Tom Stark and one of the reporters shoved on the tail end and I heaved on the front end and held my breath and we got Buck the seven feet to the Boss. The Boss braced himself, and we heaved up the front end, and the Boss got a gust of Buck. That gust was enough. "God's sake, Pappy," the Boss demanded as soon as he had mastered his spasm, "what you been feeding this dog?" "He ain't any appetite," Old man Stark said. "He ain't any appetite for violets," the Boss said, and spat on the ground. "The reason he fell," the photographer observed, "was because his hind legs gave down. Once we get him propped we got to work fast." "We?" the Boss said. We! What the hell you mean _we__. You come kiss him. One whiff would curdle milk and strip pine tree. _We__, hell!" The Boss took a deep breath, and we heaved again. It didn't work. Buck didn't have any starch in him. We tried six or seven times, but it was no sale. Finally the Boss had to sit down on the steps, and we dragged Buck up and laid the faithful head on the Boss's knee. The Boss put his hand on Buck's head and looked at the photographer's birdie. The photographer shot it, and said, "It is the nuts," and the Boss said, "Yeah, the nuts." The Boss sat there a few seconds with his hand on Buck's head. "A dog," the Boss said, "is man's best friend. Old Buck, he's the best friend I ever had." He scratched the brute's head. "Yeah, good old Buck," the Boss said, "the best friend I ever had. But God damn it," he said, and stood up so quick that Buck's head slid off his knee, "he don't smell a bit better'n the rest of 'em." "Is that for the record, Boss?" one of the reporters asked. "Sure," the Boss said. "He smells just like the rest of 'em." Then we cleared Buck's carcass off the steps, and the photographer settled into the grind. He took the Boss and the family in every possible combination. Then he got his rig together, and said: "Governor, you know we want a picture of you upstairs. In the room you used to have when you were a kid. It will be nuts." "Yeah," the Boss said, "the nuts." That was my idea. It would be nuts all right. The Boss sitting there with an old schoolbook in his hands. A good example for the tots. So we went upstairs. It was a little room, with bare board floor and tongue-and groove beaded walls, which had been painted yellow one time, but had the paint crazing off the wood now in sections where any paint was left. There was a big wooden bed with a high head and foot standing somewhat off the perpendicular, and a white counterpane on the bed. There was a table–a pine table–and a couple of straight chairs, and a stove–the kind of tin stove they call a trash-burner, pretty rusty now–and against the wall beyond the stove a couple of home-made bookcases, crammed with books. Third readers and geographies and algebras and such in one of them, and a lot of crummy old law books in the other. The Boss stood in the middle of the floor and took a good look, all around, while the rests of us hung around the door bunched up like sheep and waited. "Jesus," the Boss said, "put the old white thunder-mug under the bed and it'll look just like home." I looked over at the bed, and the crockery wasn't there. It was the only prop missing. That and a kid with a pudgy face and freckles on his face and sandy hair falling down on his forehead, bending down at the table by a coal-oil lamp–it must have been a coal-oil lamp then–and a pencil in his hand, tooth marks on the pencil where he'd been gnawing at it, and the fire in the trash- burner getting low, and the wind pounding on the north side of the house, pounding down off the Dakotas a thousand miles away and across the plains which were icy and pearl-blind with the snow polished hard under the wind and glimmering in the dark, and across the river bottoms, and across the hills where the pine trees had stood once and moaned in the wind but where wasn't anything to break the wind now. The sash in the window on the north wall of the room would rattle under the wind, and the flame in the coal-oil lamp would bend and shiver in what current of air sneaked in, but the kid wouldn't look up. He would gnaw his pencil, and hunch down. Then after a while he would blow out the lamp and pull off his clothes and get into bed, wearing his underwear. The sheets would be cold to the skin and stiff-feeling. He would lie there and shiver in the dark. The wind would come down a thousand miles and pound on the house and the sash would rattle and inside him something would be big and coiling slow and clotting till he would hold his breath and the blood would beat in his head with s hollow sound as though his head were a cave as big as the dark outside. He wouldn't have any name for what was big inside him. Maybe there isn't any name. That was all there was missing from the room, the kid and the thunder-mug. Otherwise it was perfect. "Yeah," the Boss was saying, "it's sure gone. But it's O. K. by me. Maybe sitting over running water puts phlegm on your gut like the old folks say, but it would sure have made learning law a hell of a lot more comfortable. And you wouldn't have to waste so much time." The boss was a slow mover. Many's the time we've settled affairs of state through a bathroom door, the Boss on the inside and me on the outside on a chair with my little black notebook on my knee and the telephone ringing to beat the hell. But now the photographer started arranging things. He got the Boss to sit at the table and pore over a dog-eared reader, and he fired off his flash bulb and got that. And he got a half dozen more, the Boss sitting in a chair by the trash-burner, holding an old law book on his knees, and God knows what else. I wandered off downstairs and left them preparing the documents for posterity. When I got to the bottom of the stairs I could hear voices in the parlor, and I figured it was the old man and Lucy Stark and Sadie Burke and the kid. I went out the back way to the back porch. I could hear the nigger woman puttering around in the kitchen, humming to herself about her and Jesus. I walked across the back yard, where there wasn't any grass. When the falls rain came there wouldn't be anything here but a loblolly with the crazy marks made in it by hens' feet. But it was dust now. There was a chinaberry tree beside the gate letting you into the back lot, and as I went through the gate the berries scattered on the ground crunched under my feet like bugs. I went on down the lot, past a row of gable-shaped chicken coops made of wood which had been split out like shingles, and set on cypress chunks to keep them out of the wet. I went on down to the barn and stable lot, where a couple of able-bodied but moth-eaten mules hung their heads in the unflagging shame of their species beside a big iron pot, the kind they use for cooking up molasses. The pot was a water trough now. There was a pipe sticking up beside it with a faucet on it. One of the Boss's modern improvements you couldn't see from the road. I went on past the stables, which were built of log, but with a good tin roof, and leaned on the fence, looking off down the rise. Back of the barn the ground was washed and gullied somewhat, with piles of brush chucked into the washes here and there to stop the process. As though it ever would. A hundred yards off, at the foot of the rise, there was a patch of woods, scrub oak and such. The ground must have been swampy down there, for the grass and weeds at the edge of the trees were lush and tropical green. Against the bare ground beyond it looked too green to be natural. I could see a couple of hogs lounging down there on their sides, like big gray blisters popped up out of the ground. It was getting toward sunset now. I leaned on the fence and looked off west across the country where the light was stretching out, and breathed in that dry, clean, ammoniac smell you get around stables at sunset on a summer day. I figured they would find me when they wanted me. I didn't have the slightest notion when that would be. The Boss and his family, I reckoned, would spend the night at his pappy's place. The reporters and the photographer and Sadie would get on back to the city. Mr. Duffy–maybe he was supposed to put up in Mason City at the hotel. Or maybe he and I were supposed to stay at Pappy's place too. If they put us in the same bed though, I was just going to start walking in to Mason City. Then there was Sugar-Boy. But I quit thinking about it. I didn't give a damn what they did. I leaned on the fence, and the posture bowed my tail out so that the cloth of my pants pulled tight and pressed the pint against my left hip. I thought about that for a minute and admired the sunset colorations and breathed the dry, clean, ammoniac smell, and then I pulled out the bottle. I took a drink and put it back. I leaned on the fence and waited for the sunset colorations to explode in my stomach, which they did. I heard somebody open and shut the gate to the barn lot, but I didn't look around. If I didn't look around it would not be true that somebody opened the gate with the creaky hinges, and that is a wonderful principle for a man to get hold of. I had got hold of the principle out of a book when I was in college, and I had hung on to it for grim death. I owed my success in life to that principle. It had put me where I was. What you don't know don't hurt you, for it ain't real. They called that Idealism in my book I had when I was in college, and after I got hold of that principle I became an Idealist. I was a brass-bound Idealist in those days. If you are an Idealist it does not matter what you do or what goes on around you because it isn't real anyway. The steps came closer and closer, padded in the soft dust. I didn't look up. Then I felt the wire of the fence creak and give because somebody else was leaning against it and admiring the sunset. Mr. X and I admired the sunset together for a couple of minutes, and nothing said. Except for the sound of his breathing I wouldn't have known he was there. Then there was a moment and the wire shifted when Mr. X took his weight off it. Then the hand patted my left hip, and the voice said, "Gimme a slug." It was the Boss's voice. "Take it," I said. "You know where it lives." He lifted up my coattail and pulled out the bottle. I could hear the gurgle as he did the damage. The wire shifted again as he leaned against it. "I figured you'd come down here," he said. "And you wanted a drink," I replied without bitterness. "Yeah," he said, "and Pappy doesn't favor drinking. Never did." I looked up at him. He was leaning on the fence, bearing down on the wire in a way not to do it any good, with the bottle held in both hands, corked, and his forearms propped over the wire. "It used to be Lucy didn't favor it either," I said. "Things change," he said. He uncorked the bottle and took another pull, and corked it again. "But Lucy," he said, "I don't know whether she changed or not. I don't know whether she favors it or not now. She never touches it herself. Maybe she sees it eases a man's nerves." I laughed. "You haven't any nerves," I told him. "I'm a bundle of nerves," he said, and grinned. We kept leaning against the fence, watching the light lying across the country and hitting the clump of trees down the rise. The Boss leaned his head a little forward and let a big globule of spit form at his lips and let it fall through the space between his forearms down to the board hog through just over the fence from us. The trough was dry, with a few odd red grains of corn and a few shreds of shucks lying in it and on the ground by it. "Things don't change much around here, though," the Boss said. That didn't seem to demand any response, and so I didn't give it any. "I bet I dumped ten thousand gallons of swill into that trough," he said, "one time and another." He let another glob of spit fall into the trough. "I bet I slopped five hundred head of hogs out of this trough," he said. "And," he said, "by God, I'm still doing it. Pouring swill." "Well," I said, "swill is what they live on, isn't it?" He didn't say anything to that. The hinges of the gate up the lot creaked again, and I looked around. There wasn't any reason not to now. It was Sadie Burke. She was plowing her white oxfords through the dust as though she meant business, and every time she took a stride it looked as though she were going to pop the skirt of her blue-striped seersucker suit, she was in such a rush. The Boss turned around, looked at the bottle in his hand, then passed it to me. "What's up?" he asked her when she got within ten feet. She didn't answer right away, but came up close. She was breathing hard from the rush. The light hit her on her slightly pock-marked face, which was damp now with perspiration, and her chopped-off black hair was wild and electric on her head, and her big, deep, powerful black eyes burned right out of her face into the sunlight. "What's up?" the Boss demanded again. "Judge Irwin," she managed to get out with what breath she had after the rush. "Yeah?" the Boss said. He was still lounging against the wire, but he was looking at Sadie as though she might draw a gun and he was planning on beating her to the draw. "Matlock called up–long distance from town–and he said the afternoon paper–" "Spill it," the Boss said, "spill it." "Damn it," Sadie said, "I'll spill it when I get good and ready. I'll spill it when I get my breath. If I'm good and ready, and if you–" "You're using up a lot of breath right now," the Boss said with a tone of voice which made you think of rubbing your hand down a cat's back, just as soft. "It's my breath," Sadie snapped at him, "and nobody's bought it. I damned near break myself down running out here to tell you something and then you say spill it, spill it. Before I can get my breath. And I'll just tell you when I get my breath and–" "You don't sound exactly wind-broke," the Boss observed, leaning back on the hog wire and grinning. "You think it's so damned funny," Sadie said, "oh, yeah, so damned funny." The Boss didn't answer that. He just kept leaning on the wire as though he had all day before him, and kept on grinning. When he grinned like that it didn't do much to soothe Sadie's feelings, I had observed in the past. And the symptoms seemed to be running true to form. So I decorously withdrew my gaze from the pair, and resumed my admiration of the dying day on the other side of the hog lot and the elegiac landscape. Not that they would have bothered about me if they had anything on their minds–neither one of them. Powers, Thrones, and Dominations might be gathered round and if Sadie felt like it she would cut loose, and the Boss wasn't precisely of a shrinking disposition. They'd get started like that over nothing at all sometimes, the Boss just lying back and grinning and working Sadie up till those big black glittering eyes of hers would separate from the tangle and hang down by her face so she'd have to swipe it back with the back of the hand. She would say plenty while she got worked up, but the Boss wouldn't say much. He'd just grin at her. He seemed to take a relish in getting her worked up that way and lying back and watching it. Even when she slapped him once, a good hard one, he kept on looking at her that way, as though she were a hula girl doing a dance for him. He relished her getting worked up, all right, unless she finally landed on a sore spot. She was the only one who knew the trick. O had the nerve. Then the show would really start. They wouldn't care who was there. Certainly not if I was there, and there wasn't any reason for me to avert my face out of delicacy. I had been a piece of furniture a long time, but some taint of the manners my grandma taught me still hung on and now and then got the better of my curiosity. Sure I was a piece of furniture–with two legs and a pay check coming–but I looked off at the sunset, anyway. "Oh, it's so damned funny," Sadie was saying, "but you won't think it's so damned funny when I tell you." She stopped, then said, "Judge Irwin has come out for Callahan." There wasn't any sound for what must have been three seconds but seemed like a week while a mourning dove down in the clump of trees in the bottom where the hogs were gave a couple of tries at breaking his heart and mine. Then I heard the Boss say, "The bastard." "It was in the afternoon paper–the endorsement," Sadie elaborated. "Matlock telephoned from town. To let you know." "The two-timing bastard," the Boss said. Then he heaved up off the wire, and I turned around. I figured the conclave was about to break up. It was. "Come on," the Boss said, and started moving up the hill toward the house, Sadie by his side popping her seersucker skirt to keep up with him, and I trailing. About the time we got to the gate where the chinaberry tree was and the berries on the ground popped under your feet, the Boss said to Sadie, "Get 'em cleared out." "Tiny was figuring on having supper out here," Sadie said, "and Sugar-Boy was gonna drive him to Mason City in time for the eight-o'clock train to town. You asked him." "I'm un-asking him," the Boss replied. "Clear 'em all out." "It'll be a privilege," Sadie said, and I reckoned she spoke from the heart. She cleared them out, and fast. Their car went off down the gravel road with the springs flat on the rear axle and human flesh oozing out the windows, then the evening quiet descended upon us. I went to the other side of the house where a hammock made out of wire and barrel staves, the kind they rig up in that part of the world, was swung between a post and the live oak. I took off my coat and hung it on the post, and dropped my bottle into the side pocket so it wouldn't break my hip bone when I lay down, and climbed into the hammock. The Boss was down at the other end of the yard where the crepe myrtles were, prowling up and down on the dusty grass stems. Well, it was all his baby, and he could give it suck. I just lay there in the hammock. I lay there and watched the undersides of the oak leaves, dry and grayish and dusty-green, and some of them I saw had rusty-corroded-looking spots on them. Those were the ones which would turn loose their grip on the branch before long–not in any breeze, the fibers would just relax, in the middle of the day maybe with the sunshine bright and the air so still it aches like the place where the tooth was on the morning after you've been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened. Then, while I was watching the leaves I heard a dry, cracking sound down toward the barnyard. Then it came again. Then I figured out what it was. It was Sugar-Boy off down in the lot playing with his.38 Special again. He would set up a tin can or a bottle on a post, and turn his back to the post and start walking away, carrying his baby in his left hand, by the barrel, the safety on, just walking steadily away on his stumpy little legs with his always blue serge pants bagging around his underslung behind and with the last rays of the evening sun faintly glittering on his bald spot among the scrubby patches of hair like bleached lichen. Then, al of a sudden, he would stop walking, and grab the butt of the play-pretty with his right hand, and wheel–all in a quick, awkward motion, as though a spring had exploded inside him–and the play-pretty would go bang, and the tin can would jump off the post or the bottle would spray off in all directions. Or most likely. Then Sugar-Boy would say, "The b-b-b-bas-tud," and shake his head, and the spit would fly. There would be a single cracking sound and a long wait. That meant he had hit it the first try, and was trudging back to the post to set up another. Then, after a spell, there would be another crack, and a wait. Then, one time, there came two cracks, close together. That meant Sugar-Boy had missed the first try and had got it on the second. Then I must have dozed off, for I came to with the Boss standing there, saying, "Time to eat." So we went in and ate. We sat down at the table, Old Man Stark at one end and Lucy at the other. Lucy wiped the perspiration-soaked wisp of hair back from her face, and gave that last-minute look around the table to see if anything was missing, like a general inspecting troops. She was in her element, all right. She had been out of it for a long time, but when you dropped her back in it she hit running, like a cat out of a sack. The jaws got to work around the table, and she watched them work. She sat there, not eating much and keeping a sharp eye out for a vacant place on any plate and watching the jaws work, and as she sat there, her face seemed to smooth itself out and relax with an inner faith in happiness the way the face of the chief engineer does when he goes down to the engine room at night and the big wheel is blurred out with its speed and the pistons plunge and return and the big steel throws are leaping in their perfect orbits like a ballet, and the whole place, under the electric glare, hums and glitters and sings like the eternal insides of God's head, and the ship is knocking off twenty-two knots on a glassy, starlit sea. So the jaw muscles pumped all around the table, and Lucy Stark sat there in the bliss of self- fulfillment. I had just managed to get down the last spoonful of chocolate ice cream, which I had had to tamp down into my gullet like wet concrete in a posthole, when the Boss, who was a powerful and systematic eater, took his last bite, lifted up his head, wiped off the lower half of his face with a napkin, and said, "Well, it looks like Jack and Sugar-Boy and me are going to take the night air down the highway." Lucy Stark looked up at the Boss right quick, then looked away, and straightened a salt shaker. At first guess it might have been the look any wife gives her husband when he shoves back after supper and announces he thinks he'll step down for a minute. Then you knew it wasn't that. It didn't have any question, or protest, or rebuke, or command, or self-pity, or whine, or oh-so-you- don't-love-me-any-more in it. It just didn't have anything in it, and that was what made it remarkable. It was a feat. Any act of pure perception is a feat, and if you don't believe it, try it sometime. But Old Man Stark looked at the Boss, and said, "I sorta reckined–I reckined you was gonna stay out here tonight." There wasn't any trouble figuring out what he said, though. The child come home and the parent puts the hooks in him. The old man, or the woman, as the case may be, hasn't got anything to say to the child. All he wants is to have that child sit in a chair for a couple of hours and then go off to bed under the same roof. It's not love. I am not saying that there is not such a thing as love. I am merely pointing to something which is different from love but which sometimes goes by the name of love. It may well be that without this thing which I am talking about there would not be any love. But this thing in itself is not love. It is just something in the blood. It is a kind of blood greed, and it is the fate of a man. It is the thing which man has which distinguishes him from the happy brute creation. When you get born your father and mother lost something out of themselves, and they are going to bust a hame trying to get it back, and you are it. They know they can't get it all back but they will get as big a chunk out of you as they can. And the good old family reunion, with picnic dinner under the maples, is very much like diving into the octopus tank at the aquarium. Anyway, that is what I would have said back then, that evening. So Old Man Stark swallowed his Adam's apple a couple of times and lifted his misty, sad old blue eyes to the Boss, who happened to be flesh of his flesh though you'd never guess it, and threw in the hook. But it didn't snag a thing. Not on Willie. "Nope," the Boss said, "I gotta shove." "I sorta reckined–" the old man began, the surrendered, and tailed off, "but if'n it's business–" "It is not business," the Boss said. "It is pure pleasure. At least I'm aiming for it to be before I'm through." Then he laughed and got up from the table, and gave his wife a smack of a kiss on the left cheek, slapped his son on the shoulder in that awkward way fathers have of slapping their sons on the shoulder (there is always a kind of apology in it, and anybody, even the Boss, who slapped Tom Stark on the shoulder had better apologize, for he was an arrogant bastard and when his father that night slapped him on the shoulder he didn't even bother to look up). Then the Boss said, "Don't wait up," and started out the door. Sugar-Boy and I followed. That was the first news I had had that I was going to take the night air. But it was all the warning you usually got from the Boss. I knew enough to know that. The Boss already sitting up in the front by the driver's seat when I got to the Cadillac. So I got in the back, and prepared my soul for the experience of being hurled from one side to the other when we hit the curves. Sugar-Boy crawled under the wheel, and touched the starter, and began to make a sound like "Wh-wh-wh-wh–" A sound like an owl tuning up off in the swamp at night. If he had enough time and the spit held out, he would ask, "Where to?" But the Boss didn't wait. He said, "Burden's Landing." So that was it. Burden's Landing. Well I ought to have guessed that. Burden's Landing is one hundred and thirty miles from Mason City, off to the southeast. If you multiply one hundred and thirty by two it makes two hundred and sixty miles. It was near nine o'clock and the stars were out and the ground mist was beginning to show in low places. God knew what time it would be when we got back to bed, and up the next morning to face a hearty breakfast and the ride back to the capital. I lay back in the seat and closed my eyes. The gravel sprayed on the undersides of the fenders, and then it stopped spraying and the tail of the car lurched to one side, and me with it, and I knew we were back on the slab and leveling out for the job. We would go gusting along the slab, which would be pale in the starlight between the patches of woods and the dark fields where the mist was rising. Way off from the road a barn would stick up out of the mist like a house sticking out of the rising water when the river breaks the levee. Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods. But I wasn't standing there in the field, in the dark, with the mist turning slow around my knees and the ticking no-noise of the night inside my head. I was in a car, headed back to Burden's Landing, which was named for the people from whom I got my name, and which was the place where I had been born and raised. We would go on between the fields until we hit a town. The houses would be lined up along the streets, under the trees, with their light going out now, until we hit the main street, where the lights would be bright around the doorway of the movie house and the bugs would be zooming against the bulbs and would ricochet off to hit the concrete pavement and make a dry crunch when somebody stepped on them. The men standing in front of the pool hall would look up and see the big black crate ghost down the street and one of them would spit on the concrete and say, "The bastard, he reckins he's somebody," and wish that he was in a big black car, as big as a hearse and the springs soft as mamma's breast and the engine breathing without a rustle at seventy-five, going off into the dark somewhere. Well, I was going somewhere. I was going back to Burden's Landing. We would come into Burden's Landing by the new boulevard by the bay. The air would smell salty, with maybe a taint of the fishy, sad, sweet smell of the tidelands to it, but fresh nevertheless. I would be nearly midnight then, and the light would be off in the three blocks of down-town the. Beyond the down-town and the little houses, there would be other houses along the bay, set back in the magnolias and oaks, with the white walls showing glimmeringly beyond the darkness of the trees, and the jalousies, which in the daytime would be green, looking dark against the white walls. Folks would be lying back in the rooms behind the jalousies, with nothing but a sheet over them. Well, I'd put in a good many nights behind those jalousies, from the time I was little enough to wet the bed. I'd been born in one of these rooms behind the jalousies. And behind one set of them my mother would be lying up there tonight, with a little fluting of lace on the straps of her nightgown, and her face smooth like a girl's except for the little lines, which you wouldn't be able to make out in the shadow anyway, at the corners of her mouth and eyes, and one bare arm laid out on the sheet with the sharp, brittle-looking, age-betraying hand showing the painted nails. Theodore Murrell would be lying there, too, breathing with a slightly adenoidal sibilance under his beautiful blonde mustache. Well, it was all legal, for she was married to Theodore Murrell, who was a lot younger than my mother and who had beautiful yellow hair scrolled on top of his round skull like taffy, and who was my stepfather. Well, he wasn't the first the first stepfather I had had. Then, on down the row, behind its own live oaks and magnolias, there would be the Stanton house, locked up and nobody behind the jalousies, for Anne and Adam were in town now, and grown up and never went fishing with me anymore, and the old man was dead. Then on down the row, where the open country began, would be the house of Judge Irwin. We wouldn't stop before we got there. But we'd make a little call on the Judge. "Boss," I said. The Boss turned around, and saw the chunky black shape of his head against the brightness of our headlights. "What you gonna say to him? I asked. "Boy, you never know till the time comes," he said. "Hell," he amended, "maybe I won't say anything to him a-tall. I don't know as I've got anything to say to him. I just want to look at him good." "The Judge won't scare easy," I said. No, I didn't reckon the Judge would scare easy, thinking of the straight back of the man who used to swing off the saddle and drop the bridle over a paling on the Stanton fence and walk up the shell walk to the veranda with his Panama in his hand and the coarse dark-red hair bristling off his high skull like a mane and the hooked red nose jutting off his face and the yellow irises of his eyes bright and hard-looking as topaz. That was nearly twenty years before, all right, and maybe the back wasn't as straight now as it had been then (a thing like that happens so slowly you don't notice it) and maybe the yellow were a little bleary lately, but I still didn't reckon the Judge would scare easy. That was one thing on which I figured I could bet: he wouldn't scare. If he did, it was going to be a disappointment to me. "No, I don't count on him scaring easy," the Boss said. "I just want to look at him." "Well, God damn it," I popped out, and came up off my shoulder blades before I knew it, "you're crazy to think you can scare him!" "Take it easy," the Boss said, and laughed. I couldn't see his face. It was just a black blob against the glare of the headlights, with the laugh coming out of it. "I just want to look at him," the Boss said, "like I told you." "Well, you sure picked a hell of a time and a hell of a long way to go look at him," I said, not feeling anything but peevish now, and falling back on my shoulder blades where I belonged. "Why don't you get him to see you in town sometime?" "_Sometime__ ain't ever _now__," the Boss said. "It's a hell of a thing," I said, "for you to be doing." "So you think it's beneath my dignity, huh?" the Boss asked. "Well, you're Governor. They tell me." "Yeah, I'm Governor, Jack, and the trouble with Governors is they think they got to keep their dignity. But listen here, there ain't anything worth doing a man can do and keep his dignity. Can you figure out a single thing you really please-God like to do you can do and keep your dignity? The human frame just ain't built that way." "All right," I said. "And when I get to be President, if I want to see somebody I'm gonna right out and see 'em." "Sure," I said, "in the middle of the night, but when you do I hope you leave me at home to get a night's sleep maybe." "The hell I will," he said. "When I'm President I'm gonna take you with me. I'm gonna keep you and Sugar-Boy right in the White House so I can have you all handy. Sugar-Boy can have him a pistol range in the back hall and a brace of Republican Congressmen to be caddy for him and set up the tin cans, and you can bring your girls right in the big front door, and there's gonna be a member of the Cabinet to hold their coats and pick up hair pins after 'em. There's gonna be a special member of the Cabinet to do it. He's gonna be the Secretary of the Bedchamber of Jack Burden, and he will keep the telephone numbers straight and send back any little pink silk articles to the right address when they happen to get left behind. Tint's got the build, so I'm gonna get him a little operation and put flowing silk pants on him and a turban and give him a tin scimitar like he was a High Grand Shriner or something, and he can sit on a tuffet outside your door and be the Secretary of the Bedchamber. And how you like that, boy, huh?" And he reached back over the back of the front seat and slapped me on the knee. He had to reach a long way back, for it was a long way from the front seat of the Cadillac to my knee even if I was lying on my shoulder blades. "You will go down in history," I said. "Boy, wouldn't I!" And he started to laugh. He turned round to watch the lit-up road, and kept on laughing. Then we hit a little town and beyond it a filling station and lunch stand. Sugar-Boy got some gas and brought the Boss and me a couple of cokes. Then we went on. The Boss didn't say another word till we hit Burden's Landing. All he said then was, "Jack, you tell Sugar-Boy how to find the house. It's your pals live down here." Yes, my pals lived down there. Or had lived down there. Adam and Anne Stanton had lived down there, in the white house where their widowed father, the Governor, lived. They had been my friends, Anne and Adam. Adam and I had fished and sailed all over that end of the Gulf of Mexico, and Anne, who was big-eyed and quiet-faced and thin, had been with us, close and never saying a word. And Adam and I had hunted and camped all over the country, and Anne had been there, a thin-legged little girl about four years younger than we were. And we had sat by the fire in the Stanton house–or in my house–and had played with toys or read books while Anne sat there. Then after a long time Anne wasn't a little girl any more. She was a big girl and I was so much in love with her that I lived in a dream. In that dream my heart seemed to be ready to burst, for it seemed that the whole world was inside it swelling to get out and the world. But that summer came to an end. Time passed and nothing happened that we had felt so certain at one time would happen. So now Anne was an old maid living in the city, and even if she did look pretty good yet and wore clothes that didn't hurt her any, her laugh was getting brittle and there was a drawn look on her face as though she were trying to remember something. What was Anne trying to remember? Well, I didn't have to try to remember. I could remember but I didn't want to remember. If the human race didn't remember anything it would be perfectly happy. I was student of history once in a university and if I learned anything from studying history that was what I learned. Or to be more exact, that was what I thought I had learned. We would go down the Row–the line of houses facing the bay–and that was the place where all my pals had been. Anne, who was an old maid, or damned near it. Adam, who was a famous surgeon and who was nice to me but didn't go fishing with me any more. And Judge Irwin, who lived in the last house, and who had been a friend of my family and who used to take me hunting with him and taught me to shoot and taught me to ride and read history to me from leather-bound books in the big study in his house. After Ellis Burden went away he was more of a father to me than those men who had married my mother and come to live in Ellis Burden's house. And the Judge was a man. So I told Sugar-Boy how to get through town and to the Row where all my pals lived or had lived. We pulled through the town, where the lights were out except for the bulbs hanging from the telephone poles, and on out the Bay Road where the houses were bone-white back among the magnolias and live oaks. At night you pass through a little town where you once lived, and you expect to see yourself wearing knee pants, standing all alone on the street corner under the hanging bulbs, where the bugs bang on the tin reflectors and splatter to the pavement to lie stunned. You expect to see that boy standing there under the street lamp, out too late, and you feel like telling he ought to go on home to bed or there will be hell to pay. But maybe you are home in bed and sound asleep and not dreaming and nothing has ever happened that seem to have happened. But, then, who the hell is this in the back seat of the big black Cadillac that comes ghosting through the town? Why, this is Jack Burden. Don't you remember little Jack Burden? He used to go out in his boat in the afternoon on the bay to fish, and come home and eat his supper and kiss his beautiful mother good night and say his prayers and go to bed at nine-thirty. Oh, you mean old Ellis Burden's boy? Yeah, and that woman he married out of Texas–or was it Arkansas?–that big-eyed thin-faced woman who lives up there in that old Burden place now with that man she got herself. What ever happened to Ellis Burden? Hell, I don't know, nobody around here had any word going on years. He was a queer 'un. Damn if he wasn't queer, going off and leaving a real looker like that woman out of Arkansas. Maybe he couldn't give her what she craved. Well, he give her that boy, that Jack Burden. Yeah. You come into the town at night and there are the voices. We had got to the end of the Row, and I saw the house bone-white back among the dark oak boughs. "Here it is," I said. "Park out here," the Boss said. And then to me, "There's a light. The bugger ain't in bed. You go on and knock on the door and tell him I want to see him." "Suppose he won't open up?" "He will," the Boss said. "But if he won't you make him. What the hell do I pay you for?" I got out of the car and went in the gate and started up the shell walk under the black trees. Then I heard the Boss coming after me. We went up the walk, with him just behind me, and up the gallery steps. The Boss stood to one side, and I pulled open the screen and knocked on the door. I knocked again; then looking in through the glass by the door I saw a door open off the hall–where the library was, I remembered–then a side light come on in the hall. He was coming to the door. I could see him through the glass while he fumbled with the lock. "Yes?" he asked. "Good evening, Judge," I said. He stood there blinking into the dark outside, trying to make out my face. "It's Jack Burden," I said. "Well, well, Jack–well I'll be jiggered!" And he put out his hand. "Come in." He even looked glad to see me. I shook hands and stepped inside, where the mirrors in the peeling gold frames glimmered on the walls in the rays of the not bright side light, and the glass of the big hurricane lamps glimmered on the marble-top stands. "What can I do for you, Jack?" he asked me, and gave me a look out of his yellow eyes. They hadn't changed much, even if the rest of him had. "Well," I began, and didn't know how I was going to end, "I just wanted to see if you were up and could talk to–" "Sure, Jack, come on in. You aren't in any trouble, son? Let me shut the door first, and–" He turned to shut the door, and if his ticker hadn't been in good shape for all his near three scores and ten he'd have dropped dead. For the Boss was standing there in the door. He hadn't made a sound. As it was, the Judge didn't drop dead. And his face didn't show a thing. But I felt him stiffen. You turn to shut a door some night and find somebody standing there out of the dark, and you'll take a jump, too. "No," the Boss said, easy and grinning, taking his hat off his head and stepping inside just as though he'd been invited, which he hadn't been, "no, Jack isn't in any trouble. Not that I know of. Nor me either." The Judge was looking at me now. "I beg your pardon," he said to me, in a voice he knew how to make cold and rasping like an old phonograph needle scraping on an old record, "I had forgotten for the moment how well your needs are provided for." "Oh, Jack's making out," the Boss said. "And you, sir–" the Judge turned on the Boss, and slanted his yellow eyes down on him–for he was a half a head taller–and I could see the jaw muscles twitch and knot under the folds of red- rusty and seamed skin on his long jaw, "do you wish to say something to me?" "Well, I don't know as I do," the Boss remarked offhand. "Not at the moment." "Well," the Judge said, "in that case–" "Oh, something might develop," the Boss broke in. "You never can tell. If we get the weight off our arches." "In that case," the Judge resumed, and it was an old needle and an old record and it was scraping like a file on cold tin and nothing human, "I may say that I was about to retire." "Oh, it's early yet," the Boss said, and took his time giving Judge Irwin the once-over from head to toe. The Judge was wearing an old-fashioned velvet smoking jacket and tuxedo pants and a boiled shirt, but he had taken off his collar and tie and the collar button was shining just under the big old red Adam's apple. "Yeah," the Boss went on, after he'd finished the once-over, "and you'll sleep better if you wait before going to bed and give that fine dinner you had a chance to digest." And he just began walking down the hall toward the door where the light was, the door to the library. Judge Irwin looked at the Boss's back as the Boss just walked away, the Palm Beach coat all crumpled up where it had crawled on the Boss's shoulders and the old sweat-stains of the afternoon showing dark at the armpits. The Judge's yellow eyes were near to popping out of his face and the blood was up in his face till it was the color of calf's liver in a butcher shop. Then he began to walk down the hall after the Boss. I followed the pair of them. The Boss was already sitting in a big old scuffed leather easy chair when I went in. I stood there against the wall, under the bookshelves that went up to the ceiling, full of old leather books, a lot of them law books, that got lost in the shadows up above and made the room smell musty like old cheese. Well, the room hadn't changed any. I could remember that smell from the long afternoons I had spent in that room, reading by myself or hearing the Judge's voice reading to me, while a log crackled on the hearth and the clock in the corner, a big grandfather's clock in the corner, a big grandfather's clock, offered us the slow, small, individual pellets of time. It was the same room. There were the big steel engravings on the wall–by Piranesi, in the heavy, scrollwork frames, the Tiber, the Colosseum, some ruined temple. And the riding crops on the mantel and on the desk, and the silver cups the Judge's dogs had won in the field trials and the Judge had won shooting. The gun rack, over in the shadow by the door, was out of the light from the big brass reading on the desk, but I knew every gun in it, and knew the gun's feel. The Judge didn't sit down. He stood in the middle of the floor and looked down at the Boss, who had his legs stuck out on the red carpet. And the Judge didn't say anything. Something was going on inside his head. You knew that if he had a little glass window in the side of that tall skull, where the one-time thick, dark-red, mane-like hair was thinned out now and faded, you could see inside and see the wheels and springs and cogs and ratchets working away and shining like a beautiful lot of well-kept mechanism. But maybe somebody had pushed the wrong button. Maybe it was just going to run on and on till something cracked or the spring ran down, and nothing was going to happen. But the Boss said something. He jerked his head sideways to indicate the silver tray with the bottle and the pitcher of water and a silver bowl and two used glasses and three or four clean ones which sat on the desk, and said, "Judge, I trust you don't mind Jack pouring me a slug? You know Southern hospitality." Judge Irwin didn't answer him. He turned to me, and I said, "I didn't realize, Jack, that your duties included those of a body servant, but, of course, if I am mistaken–" I could have slapped his face. I could have slapped that God-damned handsome, eagle-beaked, strong-boned, rubiginous-hided, high old face, in which the eyes weren't old but were hard and bright without any depth to them and were an insult to look into. And the Boss laughed, and I could have slapped his God-damned face. I could have walked right out and felt the two of them there, alone in that cheese-smelling room together till hell froze over, and just kept on walking. But I didn't, and perhaps it was just as well, for maybe you cannot ever really walk away from the things you want most to walk away from. "Oh, nuts," the Boss said, and stopped laughing, and heaved himself up out of the leather chair, and made a pass at the bottle and sloshed out some whisky into a glass and poured in some water. Then he turned round, and grinning up to the Judge, stepped toward me and held out the glass. "Here, Jack," he said, "have a drink." I can't say that I took the drink. It got shoved into my hand, and I stood there holding it, not drinking it, and watched the Boss look up at the Judge Irwin and say, "Sometimes Jack pours me a drink, and sometimes I pour him a drink and–" he stepped toward the desk again–"sometimes I pour myself a drink." He poured the drink, added water, and looked again at the Judge, leering with a kind of comic cunning. "Whether I'm asked or not," he said. And added, "There's lots of things you never get, Judge, if you wait till you are asked. And I am an impatient man. I am a very impatient man, Judge. That is why I am not a gentleman, Judge." "Really?" replied the Judge. He stood in the middle of the floor and studied the scene beneath him. From my spot by the wall, I looked at both of them. _To hell with them__, I thought, _to hell with both of them__. When they talked like that, it was to hell with both of them. "Yeah," the Boss was saying, "you're a gent, and so you don't ever get impatient. Not even for your likker. You aren't even impatient for your drink right now and it's likker your money paid for. But you'll get a drink, Judge. I'm asking you to have one. Have a drink with me, Judge." Judge Irwin didn't answer a word. He stood very erect in the middle of the floor. "Aw, have a drink," the Boss said, and laughed, and sat again in the big chair and stuck out his legs on the red carpet. The Judge didn't pour himself a drink. And he didn't sit down. The Boss looked up at him from the chair and said, "Judge, you happen to have an evening paper round here?" The paper was lying over on another chair by the fireplace, with the Judge's collar and tie on top of it, and his white jacket hung on the back of the chair. I saw the Judge's eyes snap over there to it, and then back at the Boss. "Yes," the Judge said, "as a matter of fact, I have." "I haven't had a chance to see one, rushing around the country today. Mind if I take a look?" "Not in the slightest," Judge Irwin said, and the sound was the file scraping on that cold tin again, "but perhaps I can relieve your curiosity on one point. The paper publishes my endorsement of Callahan for the Senate nomination. If that is of interest to you." "Just wanted to hear you say it, Judge. Somebody told me, but you know how rumor hath a thousand tongues, and how the newspaper boys tend to exaggeration, and the truth ain't in 'em." "There was no exaggeration in this case," the Judge said. "Just wanted to hear you say it. With your own silver tongue." "Well, you've heard it," the Judge said, standing straight in the middle of the floor, "an in that case, at your leisure–" the Judge's face was the color of calf's liver again, even if the word did come out cold and spaced–"if you have finished your drink–" "Why, thanks, Judge," the Boss said, sweet as chess pie, "I reckon I will take another spot." And he heaved himself in the direction of the bottle. He did his work, and said, "Thanks." When he was back in the leather chair with the fresh load in the glass, he said, "Yeah, Judge, I've heard you say it, but I just wanted to hear you say something else. Are you sure you took it to the Lord in prayer? Huh?" "I have settled the matter in my own mind," the Judge said. "Well, if I recollect right–" the Boss ruminatively turned the glass in his hands–"back in town, when we had our little talk, you sort of felt my boy Masters was all right." "I made no commitment," the Judge said sharply. "I didn't make any commitment except to my conscience," "You been messing in politics a long time, Judge," the Boss said, easy, "and–" he took a drag from the glass–"so has your conscience." "I beg your pardon," the Judge snapped. "Nuts," the Boss said, and grinned. "But what got you off Masters?" "Certain features of his career came to my attention." "Somebody dug up some dirt for you, huh?" "If you choose to call it that," the Judge said. "Dirt's a funny thing," t he Boss said. "Come to think of it, there ain't a thing but dirt on this green God's globe except what's under water, and that's dir too. It's dirt makes the grass grow. A diamond ain't a thing in the world but a piece of dirt that got awful hot. And God-a-Mighty picked up a handful of dirt and blew on it and made you and me and George Washington and mankind blessed in faculty and apprehension. It all depends on what you do with the dirt. That right? "That doesn't alter the fact," the Judge said from way up there where his head was, above the rays of the desk lamp, "that Masters doesn't strike me as a responsible man." "He better be responsible," the Boss said, "or I'll break his God-damned neck!" "That's the trouble, Masters would be responsible to you." "It's a fact," the Boss admitted ruefully, lifting his face under the light, and shaking his face in fatalistic sadness. "Masters'd be responsible to me. I can't help it. But Callahan–now take Callahan–it sort of seems to me he's gonna be responsible to you and Alta Power and God knows who else before he's through. And what's the difference? Huh?" "Well–" "Well, hell!" The Boss popped straight up in the chair with that inner explosiveness he had when, all of a sudden, he would snatch a fly out of the air or whip his head at you and his eyes would snap open. He popped up and his heels dug into the red carpet. Some of the liquor sloshed out of his glass onto his Palm Beach pants. "Well, I'll tell you the difference, Judge! I can deliver Masters and you can't deliver Callahan. And that's a big difference." "I'll have to take my chance," the Judge said from way up there. "Chance?" And the Boss laughed. "Judge," he said, and quit laughing, "you haven't got but one chance. You been guessing right in this state going on forty years. You been sitting back here in this room and nigger boys been single-footing in here bringing you toddies and you been guessing right. You been sitting back here and grinning to yourself while the rest of 'em were out sweating on the stump and snapping their suspenders, and when you wanted anything you just reached out and took it. Oh, if you had a little time off from duck hunting and corporation law you might do a hitch as Attorney General. So you did. Or play at being a judge. You been a judge a long time. How it would feel not to be a judge any more?" "No man," Judge Irwin said, and stood up there straight in the middle of the floor, "has ever been able to intimidate me." "Well, I never tried," the Boss said, "yet. And I'm not trying now. I'm going to give you a chance. You say somebody gave you some dirt on Masters? Well, just suppose I gave you some dirt on Callahan?–Oh, don't interrupt! Keep your shirt on!"–and he held up his hand. "I haven't been doing any digging, but I might, and if I went out in the barn lot and stuck my shovel in and brought you in some of the sweet-smelling and put it under the nose of your conscience, then do you know what your conscience would tell you to do? It would tell you to withdraw your endorsement of Callahan. And the newspaper boys would be over here thicker'n bluebottle flies on dead dog, and you could tell 'em all about you and your conscience. You wouldn't even have to back Masters. You and your conscience could just go off arm in arm and have a fine time telling each other how much you think of each other." "I have endorsed Callahan," the Judge said. He didn't flicker. "I maybe could give you the dirt," the Boss said speculatively. "Callahan's been playing around for a long time, and he who touches pitch shall be defiled, and little boys just will walk barefoot in the cow pasture." He looked up at Judge Irwin's face, squinting, studying it, cocking his own head to one side. The grandfather's clock in the corner of the room, I suddenly realized, wasn't getting any younger. It would drop out a _tick__, and the _tick__ would land inside my head like a rock dropped in a well, and the ripples would circle out and stop, and the _tick__ would sink down the dark. For a piece of time which was no long or short, and might not even be time, there wouldn't be anything. Then the _tock__ would drop down the well, and the ripples would circle out and finish. The Boss quit studying Judge Irwin's face, which didn't show anything. He let himself sink in the chair, shrugged his shoulders, and lifted the glass up for a drink. Then he said, "Suit yourself, Judge. But you know, there is another way to play it. Maybe somebody might give Callahan a little shovelful on somebody else and Callahan might grow a conscience all of a sudden and repudiate his endorser. You know, when this conscience business starts, ain't no telling where it'll stop, and when you start the digging–" "I'll thank you, sir–" Judge Irwin took a step toward the big chair, and his face wasn't the color of calf's liver now–it was long past that and streaked white back from the base of the jutting nose–"I'll thank you, sir, to get out of that chair and get out of this house!" The Boss didn't lift his head off the leather. He looked up at the Judge, sweet and trusting, and then cocked his eyes over to me. "Jack," he said, "you were sure right. The Judge don't scare easy." "Get out," the judge said, not loud this time. "Those old bones don't move fast," the Boss murmured sadly, "but now I have tried to do my bounden duty, let me go." Then he drained his glass, set it on the floor beside the chair, and rose. He stood in front of the Judge, looking up at him, squinting again, cocking his head to one side again, like a farmer getting ready to buy a horse. I set my glass on the shelf of the bookcase behind me. I discovered that I hadn't touched it, not since the first sip. _Well, to hell with it__, I thought, and let it stand. Some nigger boy would get it in the morning. Then, as though he had decided against buying the horse, the Boss shook his head and passed around the Judge, as though the Judge weren't a man at all, or even a horse, as though he were the corner of a house or a tree, and headed for the hall door, putting his feet down slow and easy on the red carpet. No hurry. For a second or two the Judge didn't even move his head; then he swung round and watched the Boss going toward the door, and his eyes glittered up there in the shadow above the lamp. The Boss laid his hand on the doorknob, opened the door, and then, with his hand still on the knob, he looked back. "Well, Judge," he said, "more in pain than wrath I go. And if your conscience decides it could gag at Callahan, just let me know. In, of course–" and he grinned–"a reasonable time." Then he looked over to me and said, "Let's haul ass, Jack," and started down toward the front door, out of sight. Before I could get into lower gear, the Judge swung his face in my direction, and focused his eyes on me, and his upper lip lifted under that nose to form a smile of somewhat massive irony, and he said, "Your employer is calling you, Mr. Burden." "I don't use any ear trumpet yet." I said, and pulled off toward the door, and thought to myself: _Christ, Jack, you talk like a snot, Christ, you are a smart guy__. I had just about made the door, when he said, "I'm dining with your mother this week. Shall I tell her you still like your work?" _Why won't he lay off?__ I thought, but he wouldn't, and that lip lifted up again. So I said, "Suit yourself, Judge. But if I were you I wouldn't go around advertising this visit to anybody. In case you changed your mind, somebody might figure you had stooped to a low political deal with the Boss. In the dark of night." And I went out the door and down the hall and out the hall door and left it open but let the screen door slam. _God damn him, why hadn't he laid off me?__ But he hadn't scared. We left the bay, and lost the salt, sad, sweet, fishy smell of the tidelands out of our nostrils. We headed north again. It was darker now. The ground mist lay heavier on the fields, and in the dips of the road the mist frayed out over the slab and blunted the headlights. Now and then a pair of eyes would burn at us out of the dark ahead. I knew that they were the eyes of a cow–a poor dear stoic old cow with a cud, standing on the highway shoulder, for there wasn't any stock law–but her eyes burned at us out of the dark as though her skull were full of blazing molten metal like blood and we could see inside the skull into that bloody hot brightness in that moment when the reflection was right before we picked up her shape, which is so perfectly formed to be pelted with clods, and knew what she was and knew that inside that unlovely knotty head there wasn't anything but a handful of coldly coagulated gray mess in which something slow happened as we went by. We were something slow happening inside the cold brain of a cow. That's what the cow would say if she were a brass-bound Idealist like little Jackie Burden. The Boss said, "Well, Jackie, it looks like you got a job cut out for you." And I said, "Callahan?" And he said, "Nope, Irwin." And I said, "I don't reckon you will find anything on Irwin." And he said, "You find it." We bored into the dark for another twenty miles and eighteen minutes. The ectoplasmic fingers of the mist reached out of the swamp, threading out from the blackness of the cypresses, to snag us, but didn't have any luck. A possum came out of the swamp and started across the road and might have made it, too, if Sugar-Boy hadn't been too quick for him. Sugar-Boy just shaded the steering wheel delicately to the left, just a fraction. There wasn't even a jounce or twitch, but something thumped against the underside of the left front fender, and Sugar-Boy said, "The b-b-b- b-bas-tud." Sugar-Boy could thread a needle with that Cadillac. At about the end of that eighteen minutes and twenty miles, I said: "But suppose I don't find anything before election day?" The Boss said, "To hell with election day. I can deliver Masters prepaid, special handling. But if it takes ten years, you find it." We clocked off five miles more, and I said, "But suppose there isn't anything to find?" And the Boss said, "There is always something." And I said, "Maybe not on the Judge." And he said, "Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something." Two miles more, and he said, "And make it stick." And that was all a good while ago. And masters is dead now, as dead as mackerel, but the Boss was right and he went to the Senate. And Callahan is not dead but he has wished he were, no doubt, for he used up his luck a long time back and being dead was not part of it. And Adam Stanton is dead now, too, who used to go fishing with me and who lay on the sand in the hot sunshine with me and with Anne Stanton. And Judge Irwin is dead, who leaned toward me among the stems of the tall gray marsh grass, in the gray damp wintry dawn, and said, "You ought to have led that duck more, Jack. You got to lead a duck, son." And the Boss is dead, who said to me. "And make it stick." Little Jackie made it stick, all right